A very fine-grained white marble “historical” relief, featuring three figures and part of a Latin inscription, is said to be from Southern Spain. This privately owned relief, presently on loan to the J. Paul Getty Museum, represents the Emperor Tiberius being introduced by a female personification to an enthroned semi-nude figure holding a cornucopia. This article examines the style, iconography, and marble type in an attempt to determine if it may indeed originally have come from Southern Spain. Based on the combined petrographic, cathodoluminescence and a C and O isotopic analysis, the marble proved to be from the Luni-Carrara quarries. This prestige marble from Italy was used in Roman Hispania for different decorative sculptural programs...
Fragments of three marble sculptures were discovered in the 1970s in the Roman baths of Shahba, the ...
The Roman municipium of Forum Sempronii (Fossombrone, Marche) was located along the ‘Via Consolare F...
The article examines the fourth and final portrait type of Marcus Aurelius. A date of A.D. 166 for i...
A very fine-grained white marble “historical” relief, featuring three figures and part of a Latin in...
The marble provenance of 163 Roman Imperial portraits, stretching approximately over 500 years, has ...
The study of ancient marbles plays an important role in the interpretation of an archaeological sit...
Samples from 22 white crystalline and one greco scritto-like marble artefacts (first-third centuries...
Multi-method provenance studies, including petrographic, isotopic, electron paramagnetic resonance a...
The present work represents the first study addressed to the provenance attribution of marbles from...
This study has investigated the provenance of 116 marble objects from the important Roman metropolis...
The provenance of the marbles of eleven artefacts collected in the temple of Apollo and the house of...
This paper presents the results of the characterisation, identification, provenance determination, ...
This article bridges two fields often kept separate: the study of portrait statues and the study of ...
Systematic investigations of imperial portraits from the first century AD up to late antiquity revea...
This paper reports the results of a quantitative and qualitative study of the imported architectural...
Fragments of three marble sculptures were discovered in the 1970s in the Roman baths of Shahba, the ...
The Roman municipium of Forum Sempronii (Fossombrone, Marche) was located along the ‘Via Consolare F...
The article examines the fourth and final portrait type of Marcus Aurelius. A date of A.D. 166 for i...
A very fine-grained white marble “historical” relief, featuring three figures and part of a Latin in...
The marble provenance of 163 Roman Imperial portraits, stretching approximately over 500 years, has ...
The study of ancient marbles plays an important role in the interpretation of an archaeological sit...
Samples from 22 white crystalline and one greco scritto-like marble artefacts (first-third centuries...
Multi-method provenance studies, including petrographic, isotopic, electron paramagnetic resonance a...
The present work represents the first study addressed to the provenance attribution of marbles from...
This study has investigated the provenance of 116 marble objects from the important Roman metropolis...
The provenance of the marbles of eleven artefacts collected in the temple of Apollo and the house of...
This paper presents the results of the characterisation, identification, provenance determination, ...
This article bridges two fields often kept separate: the study of portrait statues and the study of ...
Systematic investigations of imperial portraits from the first century AD up to late antiquity revea...
This paper reports the results of a quantitative and qualitative study of the imported architectural...
Fragments of three marble sculptures were discovered in the 1970s in the Roman baths of Shahba, the ...
The Roman municipium of Forum Sempronii (Fossombrone, Marche) was located along the ‘Via Consolare F...
The article examines the fourth and final portrait type of Marcus Aurelius. A date of A.D. 166 for i...