The present study aimed to examine the relationship between musical character and musical impression. In the first study, tone, note and sound pressure of 100 music pieces were changed to numerical data by acoustic analysis. The results of the factor analysis that aim to extract the factor composed musical character shows the extraction of three elements; Richness of sound (Richness), Changing of pitch (Melody), Dynamism. In second study, the experiment was performed by using eight music pieces that have three elements extracted by acoustic analysis. 23 undergraduate or graduate students participated, and their impression to eight music pieces have been measured by questionnaire. The result of impression to music shows the aspects of Richne...
The aim of this study is to manipulate musical cues systematically to determine the aspects of music...
The aim of this study is to manipulate musical cues systematically to determine the aspects of music...
The important role of the valence and arousal dimensions in representing and recognizing affective q...
The present study aimed to examine the relationship between musical character and musical impression...
Music is constructed with various structural factors, for example, pitch, timbre and tempo. We liste...
Abstract. During the creative process music composers draw on mechanisms in order to convey emotion ...
We investigate the roles of the acoustic parameters intensity and spectral flatness in the modeling ...
Listener perceptions of changes in the arousal expressed by classical music have been found to corre...
Many studies on the impression of timbre have been done and some significant results are clarified a...
Listener perceptions of changes in the arousal expressed by classical music have been found to corre...
The purpose of this paper is the research of vocal skill improvement for the musical expression of v...
Timbre is one of the psychophysical cues that has a great impact on affect perception, although, it ...
Listener perceptions of changes in the arousal expressed by classical music have been found to corre...
This study investigates the relationship between acoustic patterns in contemporary electroacoustic c...
This study explores whether musical affect attribution can be predicted by a linear combination of a...
The aim of this study is to manipulate musical cues systematically to determine the aspects of music...
The aim of this study is to manipulate musical cues systematically to determine the aspects of music...
The important role of the valence and arousal dimensions in representing and recognizing affective q...
The present study aimed to examine the relationship between musical character and musical impression...
Music is constructed with various structural factors, for example, pitch, timbre and tempo. We liste...
Abstract. During the creative process music composers draw on mechanisms in order to convey emotion ...
We investigate the roles of the acoustic parameters intensity and spectral flatness in the modeling ...
Listener perceptions of changes in the arousal expressed by classical music have been found to corre...
Many studies on the impression of timbre have been done and some significant results are clarified a...
Listener perceptions of changes in the arousal expressed by classical music have been found to corre...
The purpose of this paper is the research of vocal skill improvement for the musical expression of v...
Timbre is one of the psychophysical cues that has a great impact on affect perception, although, it ...
Listener perceptions of changes in the arousal expressed by classical music have been found to corre...
This study investigates the relationship between acoustic patterns in contemporary electroacoustic c...
This study explores whether musical affect attribution can be predicted by a linear combination of a...
The aim of this study is to manipulate musical cues systematically to determine the aspects of music...
The aim of this study is to manipulate musical cues systematically to determine the aspects of music...
The important role of the valence and arousal dimensions in representing and recognizing affective q...