This paper examines a recently introduced technique for sound synthesis that uses a coefficient modulated allpass filter to cause phase modifications to its input signal. The intention in this work is to outline some of the properties of the coefficient modulated allpass filter and then to establish a connection between this new method and the older technique of Phase Distortion. Results are presented to demonstrate how the allpass technique provides a spectrally richer output signal
A new technique is presented for decorrelating the input signals in stereophonic systems by means of...
In the context of this book, we are looking for representations of sound signals and signal processi...
This article describes methods of sound synthesis based on auditory distortion products, often calle...
This paper examines a recently introduced technique for sound synthesis that uses a coefficient mod...
This article discusses Phase Distortion synthesis and its application to arbitrary input signals. T...
Recent work has shown that if the coefficients of a first-order allpass filter are modulated over ti...
This article explores techniques for synthesizing resonant sounds using the principle of nonlinear d...
Analysis, Synthesis, and Perception of Musical Sounds contains a detailed treatment of basic methods...
This dissertation presents two extensions to the phase vocoder method of sound analysis and synthesi...
The phase spectrum of Fourier transform has received lesser prominence than its magnitude counterpar...
This paper introduces the Vector Phaseshaping (VPS) synthesis technique, which extends the classic P...
The global spectral envelope is particularly important in the perception of sound. The use of a para...
When generating musical sound on a digital computer, it is important to have a good model whose para...
This paper deals with aliasing distortion in digital audio signal synthesis of classic periodic wave...
We introduce a reduced parameter synthesis model for the spectral synthesis of musical sounds, which...
A new technique is presented for decorrelating the input signals in stereophonic systems by means of...
In the context of this book, we are looking for representations of sound signals and signal processi...
This article describes methods of sound synthesis based on auditory distortion products, often calle...
This paper examines a recently introduced technique for sound synthesis that uses a coefficient mod...
This article discusses Phase Distortion synthesis and its application to arbitrary input signals. T...
Recent work has shown that if the coefficients of a first-order allpass filter are modulated over ti...
This article explores techniques for synthesizing resonant sounds using the principle of nonlinear d...
Analysis, Synthesis, and Perception of Musical Sounds contains a detailed treatment of basic methods...
This dissertation presents two extensions to the phase vocoder method of sound analysis and synthesi...
The phase spectrum of Fourier transform has received lesser prominence than its magnitude counterpar...
This paper introduces the Vector Phaseshaping (VPS) synthesis technique, which extends the classic P...
The global spectral envelope is particularly important in the perception of sound. The use of a para...
When generating musical sound on a digital computer, it is important to have a good model whose para...
This paper deals with aliasing distortion in digital audio signal synthesis of classic periodic wave...
We introduce a reduced parameter synthesis model for the spectral synthesis of musical sounds, which...
A new technique is presented for decorrelating the input signals in stereophonic systems by means of...
In the context of this book, we are looking for representations of sound signals and signal processi...
This article describes methods of sound synthesis based on auditory distortion products, often calle...