How might we understand and make the city differently? What role do people and their collective geometries play in shaping our recording and representation of urban landscapes? This paper presents creative-critical methods that question how we directly engage with the built environment via different spatial practices. Collective movement here is positioned as a method of activating geometry, to develop material knowledge and sense-making of our environment. Spatial readings of urban environments are essential to our ability to navigate, demarcate and appropriate them for new uses. Importantly, their geometry is understood tacitly. We use the term speculative anthropology to define spatial provocations which are made temporally by human coll...
This chapter explores the ways in which the sensorial understandings of the city generated by dance ...
The paper discusses the potential of creative spatial practices aiming at the reactivation of abando...
This PhD investigates the insights and the blind spots of a model of creative practice characterised...
This paper addresses ways in which artists and cultural practitioners have recently b...
What is the relationship between how cities work and what cities mean? Spatial Cultures: Towards a N...
My interest is in the conscious role of space and time or of geography and history in contemporary u...
Members of the Situationist International drifted in urban space on their derives in the 1950s and 6...
I begin this chapter with a very brief outline of what is meant by the smart city. My aim here is to...
This paper presents a frame for rethinking how we make cities by exploring the notion of writing bey...
What does “the collective” mean in contemporary cities? How does it manifest in space? How do “colle...
The materiality, aesthetics, logics and processes of digitality have infused the physical space of c...
Who is the city for? With public space under increasing pressure from market-led ideologies and deve...
To-date geographical research on encounters has primarily comprised observation of naturalistic sett...
From medieval city views to contemporary urban imaginaries, imagination has always played a major ro...
To-date geographical research on encounters has primarily comprised observation of naturalistic sett...
This chapter explores the ways in which the sensorial understandings of the city generated by dance ...
The paper discusses the potential of creative spatial practices aiming at the reactivation of abando...
This PhD investigates the insights and the blind spots of a model of creative practice characterised...
This paper addresses ways in which artists and cultural practitioners have recently b...
What is the relationship between how cities work and what cities mean? Spatial Cultures: Towards a N...
My interest is in the conscious role of space and time or of geography and history in contemporary u...
Members of the Situationist International drifted in urban space on their derives in the 1950s and 6...
I begin this chapter with a very brief outline of what is meant by the smart city. My aim here is to...
This paper presents a frame for rethinking how we make cities by exploring the notion of writing bey...
What does “the collective” mean in contemporary cities? How does it manifest in space? How do “colle...
The materiality, aesthetics, logics and processes of digitality have infused the physical space of c...
Who is the city for? With public space under increasing pressure from market-led ideologies and deve...
To-date geographical research on encounters has primarily comprised observation of naturalistic sett...
From medieval city views to contemporary urban imaginaries, imagination has always played a major ro...
To-date geographical research on encounters has primarily comprised observation of naturalistic sett...
This chapter explores the ways in which the sensorial understandings of the city generated by dance ...
The paper discusses the potential of creative spatial practices aiming at the reactivation of abando...
This PhD investigates the insights and the blind spots of a model of creative practice characterised...