Review of: Gender, subjectivity, and cultural work: the classical music profession, by Christina Scharff. London: Routledge, 2018; ISBN: 9781138942561 (hbk) (£105), ISBN: 9781315673080 (ebk) (£35.99)Publisher PD
Der Sammelband beschäftigt sich mit der Frage geschlechtergerechter Musikgeschichtsschreibung und br...
Review of: Gendering European History 1780—1920 by Barbara Caine and Glenda Sluga. London: Leicester...
This is a very large book. It is over 500 pages of 1.5 spaced A4 paper in very small (11- point, I ...
Review of: The kaleidoscope of women’s sounds in music of the late 20th and early 21st centuries, by...
Review of: Musicians in the making: pathways to creative performance, edited by John Rink, Helena Ga...
Der Band versammelt Perspektiven unterschiedlicher wissenschaftlicher Disziplinen zur ...
Review of: Gender, sexuality and early music edited by Todd M. Borgerding, New York ; London : Routl...
What is it like to work as a classical musician today? How can we explain ongoing gender, racial, an...
[Extract] Georgina Born's Rationalizing Culture: MCAM, Boulez, and the Institutionalization of the M...
[Extract] Georgina Born's Rationalizing Culture: MCAM, Boulez, and the Institutionalization of the M...
A review of 'Moving Subjects: Gender, Mobility and Intimacy in an Age of Global Empire' by Tony Ball...
Review of: Thomas Bernhard: The Making of an Austrian by Gitta Honegger. New Haven and London : Yale...
Wade, Lisa (Editor) with Douglas Hartmann and Christopher Uggen (Series Editors). Assigned: Life wit...
Review of: Semiotics and pragmatics of stage improvisation, by Domenico Pietropaolo. London: Bloomsb...
Book review of Doing gender in events: feminist perspectives in critical event studies by Barbara G...
Der Sammelband beschäftigt sich mit der Frage geschlechtergerechter Musikgeschichtsschreibung und br...
Review of: Gendering European History 1780—1920 by Barbara Caine and Glenda Sluga. London: Leicester...
This is a very large book. It is over 500 pages of 1.5 spaced A4 paper in very small (11- point, I ...
Review of: The kaleidoscope of women’s sounds in music of the late 20th and early 21st centuries, by...
Review of: Musicians in the making: pathways to creative performance, edited by John Rink, Helena Ga...
Der Band versammelt Perspektiven unterschiedlicher wissenschaftlicher Disziplinen zur ...
Review of: Gender, sexuality and early music edited by Todd M. Borgerding, New York ; London : Routl...
What is it like to work as a classical musician today? How can we explain ongoing gender, racial, an...
[Extract] Georgina Born's Rationalizing Culture: MCAM, Boulez, and the Institutionalization of the M...
[Extract] Georgina Born's Rationalizing Culture: MCAM, Boulez, and the Institutionalization of the M...
A review of 'Moving Subjects: Gender, Mobility and Intimacy in an Age of Global Empire' by Tony Ball...
Review of: Thomas Bernhard: The Making of an Austrian by Gitta Honegger. New Haven and London : Yale...
Wade, Lisa (Editor) with Douglas Hartmann and Christopher Uggen (Series Editors). Assigned: Life wit...
Review of: Semiotics and pragmatics of stage improvisation, by Domenico Pietropaolo. London: Bloomsb...
Book review of Doing gender in events: feminist perspectives in critical event studies by Barbara G...
Der Sammelband beschäftigt sich mit der Frage geschlechtergerechter Musikgeschichtsschreibung und br...
Review of: Gendering European History 1780—1920 by Barbara Caine and Glenda Sluga. London: Leicester...
This is a very large book. It is over 500 pages of 1.5 spaced A4 paper in very small (11- point, I ...
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