We have determined the composition of rock art pigments from two megalithic barrows located in the north of Portugal. The use of XRD, SEM–EDS and FT–IR spectroscopy confirmed the presence of hematite and kaolinite in the red pigments from the Eireira barrow, and kaolinite in the white pigment from the Leira das Mamas barrow. The organic composition of the pigments was studied by GC–MS, suggesting that the red sinuous lines and dots from the Eireira barrow were prepared with cooked or heated algae and/or aquatic plants, with egg as binder, while the white pigment from the Leira das Mamas barrow revealed a mixture of vegetable oils for kaolinite moulding, which could be stabilized by temporary exposure to high temperatures. The multi‐analytic...
This article analyzes the ochre associated with the human burial of Magdalenian age in El Mirón Cave...
Samples containing red pigment have been collected from two different archaeological sites dating to...
We present a new multi-analytical approach to the characterization of black pigments in Spanish Leva...
We have determined the composition of rock art pigments from two megalithic barrows located in the n...
We have determined the composition of rock art pigments from two megalithic barrows located in the n...
The colourant composition of a northern Portugal megalithic barrow decorated with ‘solar’ motifs was...
This paper explores the processes involved in the production of prehistoric paintings using inorgan...
A non-invasive multi-analytical approach combining optical microscopy (OM), micro-X-ray diffraction ...
This paper presents the results of a multidisciplinary and multi-analytical study of the amber beads...
Red ochre pigments have been used since ancient times by many different civilisations on different c...
International audiencePost-glacial schematic rock paintings extend across the Iberian Peninsula to t...
This paper contributes to current debates on the technologies and practices of prehistoric artists u...
Pigments from several pre-Historic rock art painting samples were analysed through a multiproxy arch...
This article analyzes the ochre associated with the human burial of Magdalenian age in El Mirón Cave...
Samples containing red pigment have been collected from two different archaeological sites dating to...
We present a new multi-analytical approach to the characterization of black pigments in Spanish Leva...
We have determined the composition of rock art pigments from two megalithic barrows located in the n...
We have determined the composition of rock art pigments from two megalithic barrows located in the n...
The colourant composition of a northern Portugal megalithic barrow decorated with ‘solar’ motifs was...
This paper explores the processes involved in the production of prehistoric paintings using inorgan...
A non-invasive multi-analytical approach combining optical microscopy (OM), micro-X-ray diffraction ...
This paper presents the results of a multidisciplinary and multi-analytical study of the amber beads...
Red ochre pigments have been used since ancient times by many different civilisations on different c...
International audiencePost-glacial schematic rock paintings extend across the Iberian Peninsula to t...
This paper contributes to current debates on the technologies and practices of prehistoric artists u...
Pigments from several pre-Historic rock art painting samples were analysed through a multiproxy arch...
This article analyzes the ochre associated with the human burial of Magdalenian age in El Mirón Cave...
Samples containing red pigment have been collected from two different archaeological sites dating to...
We present a new multi-analytical approach to the characterization of black pigments in Spanish Leva...