Red lead, a semiconductor pigment used by artists since antiquity, is known to undergo several discoloration phenomena. These transformations are either described as darkening of the pigment caused by the formation of either plattnerite (β‐PbO$_2$) or galena (PbS) or as whitening by which red lead is converted into anglesite (PbSO$_4$) or (hydro)cerussite (2 PbCO$_3$⋅Pb(OH)$_2$; PbCO$_3$). X‐ray powder diffraction tomography, a powerful analytical method that allows visualization of the internal distribution of different crystalline compounds in complex samples, was used to investigate a microscopic paint sample from a Van Gogh painting. A very rare lead mineral, plumbonacrite (3 PbCO$_3$⋅ Pb(OH)$_2$⋅PbO), was revealed to be present. This i...
International audienceMicro-samples collected on 28 major paintings by Old European Masters dating f...
Le pigment blanc de plomb, composé de deux phases cristallines carbonates de plomb (cérusite PbCO3 e...
This work reports the results of an extensive study carried out on the wall paintings preserved ins...
Until the 19th century, lead white was the most important white pigment used in oil paintings. Lead ...
Rembrandt (1606–1669) is renowned for his impasto technique, involving his use of lead white paint w...
Lead-containing pigments (red lead, white lead), widely employed in paintings since Antiquity, are l...
Rembrandt (1606–1669) is renowned for his impasto technique, involving his use of lead white paint w...
The surface of many Old Master paintings has been affected by the appearance of whitish lead-rich de...
Lead white is one of the oldest and most important white pigments and it was well described by Pliny...
The in situ formation of lead–sulfur inorganic compounds in historical oil paintings can have a stro...
The lead white pigment, composed of two main mineral phases (cerussite PbCO3 and hydrocerussite 2PbC...
The lead white pigment, composed of two main mineral phases (cerussite PbCO3 and hydrocerussite 2PbC...
Old master drawings and historic prints often feature white highlights, which are typically painted ...
Laurionite is an orthorhombic lead chloride hydroxide mineral, PbCl(OH). Its synthetic analogue has ...
The work is focused on identification of lead tin yellow types I and II, Naples yellow, and also on ...
International audienceMicro-samples collected on 28 major paintings by Old European Masters dating f...
Le pigment blanc de plomb, composé de deux phases cristallines carbonates de plomb (cérusite PbCO3 e...
This work reports the results of an extensive study carried out on the wall paintings preserved ins...
Until the 19th century, lead white was the most important white pigment used in oil paintings. Lead ...
Rembrandt (1606–1669) is renowned for his impasto technique, involving his use of lead white paint w...
Lead-containing pigments (red lead, white lead), widely employed in paintings since Antiquity, are l...
Rembrandt (1606–1669) is renowned for his impasto technique, involving his use of lead white paint w...
The surface of many Old Master paintings has been affected by the appearance of whitish lead-rich de...
Lead white is one of the oldest and most important white pigments and it was well described by Pliny...
The in situ formation of lead–sulfur inorganic compounds in historical oil paintings can have a stro...
The lead white pigment, composed of two main mineral phases (cerussite PbCO3 and hydrocerussite 2PbC...
The lead white pigment, composed of two main mineral phases (cerussite PbCO3 and hydrocerussite 2PbC...
Old master drawings and historic prints often feature white highlights, which are typically painted ...
Laurionite is an orthorhombic lead chloride hydroxide mineral, PbCl(OH). Its synthetic analogue has ...
The work is focused on identification of lead tin yellow types I and II, Naples yellow, and also on ...
International audienceMicro-samples collected on 28 major paintings by Old European Masters dating f...
Le pigment blanc de plomb, composé de deux phases cristallines carbonates de plomb (cérusite PbCO3 e...
This work reports the results of an extensive study carried out on the wall paintings preserved ins...