Can music be experienced without it being heard audibly? Musicians and listeners talk about feeling the music or music’s feel but what are these feelings? One way to isolate this part of the musical experience is to consider: what musical parameters can be detected and perceived if musical pieces only where delivered via localized tactile input to one hand? This essay focuses on tactile perception of recorded music, when it can only be physically felt. An experiment with experienced musician subjects where asked to report in writing on experiences of musical pieces being delivered only tactically to their hand. Results show that multiple musical parameters such as pulse, dynamics and expression are indeed possible to extract and perceive. R...
Two experiments were conducted on an upright and a grand piano, both either producing string vibrati...
Rhythms are an everyday phenomenon. The most common source of rhythm is music. Rhythm perception stu...
International audienceAuditory roughness is a perceptual attribute at the basis of phenomena such as...
Can music be experienced without it being heard audibly? Musicians and listeners talk about feeling ...
In this paper, an experiment is described to investigate if a person could discriminate non-percussi...
Unlike acoustical instruments, electronic musical instruments display a synthetic sound source, whic...
We suggest that studies on active touch psychophysics are needed to inform the design of haptic musi...
The objective of this thesis involves conducting an examination of the multisensory integration of t...
Tactile rendering has been implemented in digital musical instruments (DMIs) to offer the musician h...
Musicians often say that they not only hear, but also ‘‘feel’ ’ music. To explore the contribution o...
The musician-musical instrument interaction can be regarded as a control loop where the musician adj...
We know little about the mechanics behind emotions perceived in music because of the subjective nat...
Consonance is a distinctive attribute of musical sounds, for which a psychophysical explanation has ...
We created 59 tactile melodies by transforming pieces of music from the auditory domain to the vibro...
Music is a vibrational phenomenon that impinges on the body and the mind. More than any other art, i...
Two experiments were conducted on an upright and a grand piano, both either producing string vibrati...
Rhythms are an everyday phenomenon. The most common source of rhythm is music. Rhythm perception stu...
International audienceAuditory roughness is a perceptual attribute at the basis of phenomena such as...
Can music be experienced without it being heard audibly? Musicians and listeners talk about feeling ...
In this paper, an experiment is described to investigate if a person could discriminate non-percussi...
Unlike acoustical instruments, electronic musical instruments display a synthetic sound source, whic...
We suggest that studies on active touch psychophysics are needed to inform the design of haptic musi...
The objective of this thesis involves conducting an examination of the multisensory integration of t...
Tactile rendering has been implemented in digital musical instruments (DMIs) to offer the musician h...
Musicians often say that they not only hear, but also ‘‘feel’ ’ music. To explore the contribution o...
The musician-musical instrument interaction can be regarded as a control loop where the musician adj...
We know little about the mechanics behind emotions perceived in music because of the subjective nat...
Consonance is a distinctive attribute of musical sounds, for which a psychophysical explanation has ...
We created 59 tactile melodies by transforming pieces of music from the auditory domain to the vibro...
Music is a vibrational phenomenon that impinges on the body and the mind. More than any other art, i...
Two experiments were conducted on an upright and a grand piano, both either producing string vibrati...
Rhythms are an everyday phenomenon. The most common source of rhythm is music. Rhythm perception stu...
International audienceAuditory roughness is a perceptual attribute at the basis of phenomena such as...