If you work in community theatre, applied theatre or theatre for social change, and you believe you are transforming society, then you may find Dani Snyder-Young's book Theatre of Good Intentions: Challenges and Hopes for Theatre and Social Change confronting and perhaps depressing. You may want to throw in the towel after reading it. On the other hand, if you have stopped gazing at your navel, and realise that in fact your work is constantly limited by hegemonic, patriarchal and power structures —both internalised and also inherent in the contexts that you work in— then you will find that this book supports the thoughts you have harboured about the limitations, failures and challenges of your work in relation to actual social change. Are m...
The artistic, portentous, playful, and creative appearance of the book gives a very spirited impress...
Reviews of Margherita LAERA (ed.). Theatre and Adaptation: Return, Rewrite, Repeat. London and New Y...
Reviews of Margherita LAERA (ed.). Theatre and Adaptation: Return, Rewrite, Repeat. London and New Y...
Rachel\u27s Fensham\u27s To Watch Theatre claims at its outset to be ‘about watching, specifically a...
This is a comprehensive review of Dani Snyder-Young\u27s 2020 book entitled, Privileged Spectatorshi...
This is a comprehensive review of Dani Snyder-Young\u27s 2020 book entitled, Privileged Spectatorshi...
Matthew Reason’s The Young Audience explores elementary-aged children’s engagement with theatrical p...
Matthew Reason’s The Young Audience explores elementary-aged children’s engagement with theatrical p...
Review of:Margaret Inchley. Voice and New Writing, 1997 – 2000: 'Articulating the Demos'Basingstoke:...
Review of:Margaret Inchley. Voice and New Writing, 1997 – 2000: 'Articulating the Demos'Basingstoke:...
Book review of: Theatre for youth third space: performance, democracy, and community cultural develo...
Review of:Margaret Inchley. Voice and New Writing, 1997 – 2000: 'Articulating the Demos'Basingstoke:...
Review of:Margaret Inchley. Voice and New Writing, 1997 – 2000: 'Articulating the Demos'Basingstoke:...
Reviews of Margherita LAERA (ed.). Theatre and Adaptation: Return, Rewrite, Repeat. London and New Y...
Reviews of Margherita LAERA (ed.). Theatre and Adaptation: Return, Rewrite, Repeat. London and New Y...
The artistic, portentous, playful, and creative appearance of the book gives a very spirited impress...
Reviews of Margherita LAERA (ed.). Theatre and Adaptation: Return, Rewrite, Repeat. London and New Y...
Reviews of Margherita LAERA (ed.). Theatre and Adaptation: Return, Rewrite, Repeat. London and New Y...
Rachel\u27s Fensham\u27s To Watch Theatre claims at its outset to be ‘about watching, specifically a...
This is a comprehensive review of Dani Snyder-Young\u27s 2020 book entitled, Privileged Spectatorshi...
This is a comprehensive review of Dani Snyder-Young\u27s 2020 book entitled, Privileged Spectatorshi...
Matthew Reason’s The Young Audience explores elementary-aged children’s engagement with theatrical p...
Matthew Reason’s The Young Audience explores elementary-aged children’s engagement with theatrical p...
Review of:Margaret Inchley. Voice and New Writing, 1997 – 2000: 'Articulating the Demos'Basingstoke:...
Review of:Margaret Inchley. Voice and New Writing, 1997 – 2000: 'Articulating the Demos'Basingstoke:...
Book review of: Theatre for youth third space: performance, democracy, and community cultural develo...
Review of:Margaret Inchley. Voice and New Writing, 1997 – 2000: 'Articulating the Demos'Basingstoke:...
Review of:Margaret Inchley. Voice and New Writing, 1997 – 2000: 'Articulating the Demos'Basingstoke:...
Reviews of Margherita LAERA (ed.). Theatre and Adaptation: Return, Rewrite, Repeat. London and New Y...
Reviews of Margherita LAERA (ed.). Theatre and Adaptation: Return, Rewrite, Repeat. London and New Y...
The artistic, portentous, playful, and creative appearance of the book gives a very spirited impress...
Reviews of Margherita LAERA (ed.). Theatre and Adaptation: Return, Rewrite, Repeat. London and New Y...
Reviews of Margherita LAERA (ed.). Theatre and Adaptation: Return, Rewrite, Repeat. London and New Y...