A invaginação da metáfora no autorretrato : uma representação da criação do ser

An intrinsic subjectivity focused on self-portrait is sought, reflecting an artistic essence based on psychological questions where self-knowledge takes precedence on creation. It is intended to elevate the marvellous, while making metaphors real, that is, to mix realities and construct new ones, going through the concepts of divinization or destruction of what is not familiar or the destruction of preconceived ideas as instruments of its own creation, discovering the being itself. One being that shows itself in the self and the other, being the other being me, being a revelation of a doubt that arises between reality and shadow, questioning which being is I, not knowing where I fit. There is a duality between the real, which can be directed to the personal being, and the fantastic, possibly focused on the creativity, where both are shown on the artistic making. An analysis is made of the surreal dimension of the personal artistic process, questioning the reality of created metaphors. It is exposed living as a creation, living in creation, learning with creation, being the creation, being the metaphor... An investigation into the interior of the artist that reveals itself through poems and paintings, exposing an automatism that allows a closer approximation to the reality of one's being, questioning what leads to creation, analyzing the construction of one's being, addressing the way it is viewed and learning to deal with their hidden side. On this dissertation, an analysis is made of the importance of the being of the artist on is creation, questioning its reality and the way of looking at it, discovering on the personal interior and on the reality of the work the strange and familiar beings that expose the exteriorities and opposites that belong to them. The themes that constitute the personal work of art and the way in which it is conceived are also revealed. I am a being who builds me through m