This paper presents the results of the technical examination of a number of polychrome sculptures, dated to the 17th-18th Centuries, located in the North-Eastern area of Italy (Friuli) and attributed on their stylistic characteristics to generic German workshops. Evidence of scientific analysis was used to support authorship and to investigate the presence of technical differences due to the influence of Italian artists. Whilst the investigation provided a comprehensive overview of the painting/gilding materials and techniques, this contribution intentionally focuses on results concerning the samples taken from the flesh areas of the sculptures. An account is finally given of SICaR, the web-GIS system used to store the results of the inv...
The multidisciplinary pathway necessary to reconstruct all aspects for a possible approach to histor...
Between the 1960s and 1990s art historian Giovanni Previtali identified a group of polychrome wood t...
The attention to non-invasiveness in restoration operations, and even more in diagnostic investigati...
The paper presents the analytical campaign carried out on the Baroque stucco decorations by Italian ...
From the 16th to the 18th century, many artists and craftspeople coming from villages in the Italian...
Financial support from the Ministry of Culture of the Czech Republic (project No. DF12P01OVV048) and...
A complement of analytical techniques was used to characterize the polychromy and the painting techn...
Three polychrome wooden sculptures, made between the last quarter of the 17th century and the first ...
The petrographic and geochemical characterization of core materials used to craft bronze artworks re...
This paper reports on a work-in-progress of two seventeenth (or eighteenth) century polychrome sculp...
The polychrome wooden sculpture is a complex artifact because of the presence of different materials...
The paper reports a cross-cutting and systematic approach to the analytical study of Baroque stucco ...
The polychrome wooden sculpture is a complex artifact because of the presence of different materials...
The multidisciplinary pathway necessary to reconstruct all aspects for a possible approach to histor...
Between the 1960s and 1990s art historian Giovanni Previtali identified a group of polychrome wood t...
The attention to non-invasiveness in restoration operations, and even more in diagnostic investigati...
The paper presents the analytical campaign carried out on the Baroque stucco decorations by Italian ...
From the 16th to the 18th century, many artists and craftspeople coming from villages in the Italian...
Financial support from the Ministry of Culture of the Czech Republic (project No. DF12P01OVV048) and...
A complement of analytical techniques was used to characterize the polychromy and the painting techn...
Three polychrome wooden sculptures, made between the last quarter of the 17th century and the first ...
The petrographic and geochemical characterization of core materials used to craft bronze artworks re...
This paper reports on a work-in-progress of two seventeenth (or eighteenth) century polychrome sculp...
The polychrome wooden sculpture is a complex artifact because of the presence of different materials...
The paper reports a cross-cutting and systematic approach to the analytical study of Baroque stucco ...
The polychrome wooden sculpture is a complex artifact because of the presence of different materials...
The multidisciplinary pathway necessary to reconstruct all aspects for a possible approach to histor...
Between the 1960s and 1990s art historian Giovanni Previtali identified a group of polychrome wood t...
The attention to non-invasiveness in restoration operations, and even more in diagnostic investigati...