Add to ORKGThe aim of this practice-based screen arts doctoral thesis is to investigate how cinematic representations of nature evoke an aesthetic of the sublime. The thesis answers this research question both through experimental film practice and critical analysis of theoretical and artistic texts. Informed by concepts such as the sublime, transcendence, the metaphysical imagination, critical realism and phenomenology, and the films Werner Herzog and Andrei Tarkovsky, this thesis investigates an organic transcendental film style
While the sublime is most often associated with the theories of Edmund Burke and Immanuel Kant in th...
This dissertation traces the phenomenon we call the sublime as it relates to the lived experience. N...
© 2018 Peter T. NathanTowards a secularised - transcendental style in film is a practice-led researc...
The central contention of this dissertation is that the cinema of Andrei Tarkovsky is informed by et...
This thesis investigates visual representations of the evolving nature of sublime landscapes through...
This paper will look at the necessity for certain types of resistance between theory and practice in...
My dissertation surveys the varying responses to and representations of the natural world in the fic...
In his famous lecture “On the Absolute, the Sublime, and Ecstatic Truth”, the German filmmaker Werne...
The term "postmodernism" was used at the end of the nineteenth century, but contemporary features be...
This project explores the basic tenets of abstract expressionism and is considered in relation to th...
Submission note: A thesis submitted in total fulfilment of the requirements for the degree of Doctor...
The purpose of this thesis is to define the term ,,magical realism“ and reveal its main features. Ba...
Abstract The thesis focuses on comparsion of theoretical aproaches of Sergei Eisenstein, Dziga Verto...
This thesis will examine film as a phenomenal aspect of reality. We will look at the idea of a ?fil...
Preußer H-P. Grandiose Gefühle. Deutsche Zeitschrift für Philosophie. 2015;63(1):152-189.The Sublime...
While the sublime is most often associated with the theories of Edmund Burke and Immanuel Kant in th...
This dissertation traces the phenomenon we call the sublime as it relates to the lived experience. N...
© 2018 Peter T. NathanTowards a secularised - transcendental style in film is a practice-led researc...
The central contention of this dissertation is that the cinema of Andrei Tarkovsky is informed by et...
This thesis investigates visual representations of the evolving nature of sublime landscapes through...
This paper will look at the necessity for certain types of resistance between theory and practice in...
My dissertation surveys the varying responses to and representations of the natural world in the fic...
In his famous lecture “On the Absolute, the Sublime, and Ecstatic Truth”, the German filmmaker Werne...
The term "postmodernism" was used at the end of the nineteenth century, but contemporary features be...
This project explores the basic tenets of abstract expressionism and is considered in relation to th...
Submission note: A thesis submitted in total fulfilment of the requirements for the degree of Doctor...
The purpose of this thesis is to define the term ,,magical realism“ and reveal its main features. Ba...
Abstract The thesis focuses on comparsion of theoretical aproaches of Sergei Eisenstein, Dziga Verto...
This thesis will examine film as a phenomenal aspect of reality. We will look at the idea of a ?fil...
Preußer H-P. Grandiose Gefühle. Deutsche Zeitschrift für Philosophie. 2015;63(1):152-189.The Sublime...
While the sublime is most often associated with the theories of Edmund Burke and Immanuel Kant in th...
This dissertation traces the phenomenon we call the sublime as it relates to the lived experience. N...
© 2018 Peter T. NathanTowards a secularised - transcendental style in film is a practice-led researc...