In an endeavour to address issues pertaining to education of the professional musician, identifying factors that characterise the longitudinal career patterns of professional musicians is both judicious and important. The purpose of this research was to identify the performance and non-performance roles undertaken by musicians; the proportion of time spent on average in each role, and the skills utilised in facilitation of those roles. The Australian-based study included one hundred and sixty-five artists and musicians who reflected upon their careers and their education, and results revealed that less than 50% of a professional musician's working time is spent in performance. In light of these results, the research attempts to understand w...
Professional musicians have been continuously facing difficulties in career over time. One of the ps...
This study explores the career paths, employment, business opportunities and community contributions...
A sample of 257 young people aged between eight and 18 who had undertaken individual instrumental tu...
A search of music dictionaries including the New Grove Dictionary of Music and Musicians (Sadie & Ty...
This paper is an exploratory study of the provision and development of live music with a focus on th...
Traditional career theories are largely situated in organisations, where career trajectory is mostly...
In the twenty-first century, Australian musicians increasingly maintain 'portfolio' careers, in whic...
In the twenty-first century, Australian musicians increasingly maintain ‘portfolio’ careers, in whic...
© 2018 Dr. Jenni Anne HillmanAustralian tertiary institutions offer many courses for musicians inten...
Whilst recent research has begun to expose the early career experiences of graduate musicians, few s...
Little is known about the structure of musicians? careers in terms of the activities in which they e...
The way in which modern careers are maintained, especially by performing artists, is no longer linea...
Success as a musician is most commonly assumed to be the attainment of a performance career; however...
Despite an increase in participation at all levels of the music profession, women continue to experi...
Professional musicians have been continuously facing difficulties in career over time. One of the ps...
Professional musicians have been continuously facing difficulties in career over time. One of the ps...
This study explores the career paths, employment, business opportunities and community contributions...
A sample of 257 young people aged between eight and 18 who had undertaken individual instrumental tu...
A search of music dictionaries including the New Grove Dictionary of Music and Musicians (Sadie & Ty...
This paper is an exploratory study of the provision and development of live music with a focus on th...
Traditional career theories are largely situated in organisations, where career trajectory is mostly...
In the twenty-first century, Australian musicians increasingly maintain 'portfolio' careers, in whic...
In the twenty-first century, Australian musicians increasingly maintain ‘portfolio’ careers, in whic...
© 2018 Dr. Jenni Anne HillmanAustralian tertiary institutions offer many courses for musicians inten...
Whilst recent research has begun to expose the early career experiences of graduate musicians, few s...
Little is known about the structure of musicians? careers in terms of the activities in which they e...
The way in which modern careers are maintained, especially by performing artists, is no longer linea...
Success as a musician is most commonly assumed to be the attainment of a performance career; however...
Despite an increase in participation at all levels of the music profession, women continue to experi...
Professional musicians have been continuously facing difficulties in career over time. One of the ps...
Professional musicians have been continuously facing difficulties in career over time. One of the ps...
This study explores the career paths, employment, business opportunities and community contributions...
A sample of 257 young people aged between eight and 18 who had undertaken individual instrumental tu...