This chapter provides an overview of cultural exchange in China during the imperial period (221 BC- 1911 AD). The discussion begins with a discussion of three development trajectories which I call territory, technology and taste. The second section examines the effects of taste in more detail through examples of China’s creativity in art, philosophy and technology. The principal argument is that while China’s cultural authority was established on deep Confucian roots, its international influence, and its creativity, is indebted to periods of openness to ideas. The chapter concludes with an examination of China’s ’soft power’ rhetoric, itself a response to recent acknowledgements of China’s ’cultural trade deficit’. The chapter asks if China...
In this paper I discuss the changing relations between culture, services, and knowledge in China. I...
Given its origins as a borrowed concept from Western cultural policy discourse, creative industries ...
International audienceIf ‘China’, as Lee argues, is a product of Westernisation, then the West is it...
The discussion begins with a discussion of soft power and creativity in contemporary China. The arti...
As various contributors to this volume suggest, the term soft power is multifaceted. In 2002 Joseph ...
As various contributors to this volume suggest, the term soft power is multifaceted. In\ud 2002 Jose...
Can China improve the competitiveness of its culture in world markets? Should it focus less on quant...
‘Soft power’ has been a concept that has generated great political and scholarly interest in China, ...
This paper proposes an alternative way of understanding China’s emergence, drawing on the idea of th...
China’s leaders are aware that the country’s emergence as a major power in the twenty-first century ...
This paper proposes an alternative way of understanding China’s emergence, drawing on the idea of th...
In the last century, no other nation has grown and transformed itself with such zeal as China. With ...
Creative industries in China provides a fresh account of China’s emerging commercial cultural sector...
In the last century, no other nation has grown and transformed itself with such zeal as China. With ...
This chapter examines the imperative for China to compete for international cultural acclaim. The te...
In this paper I discuss the changing relations between culture, services, and knowledge in China. I...
Given its origins as a borrowed concept from Western cultural policy discourse, creative industries ...
International audienceIf ‘China’, as Lee argues, is a product of Westernisation, then the West is it...
The discussion begins with a discussion of soft power and creativity in contemporary China. The arti...
As various contributors to this volume suggest, the term soft power is multifaceted. In 2002 Joseph ...
As various contributors to this volume suggest, the term soft power is multifaceted. In\ud 2002 Jose...
Can China improve the competitiveness of its culture in world markets? Should it focus less on quant...
‘Soft power’ has been a concept that has generated great political and scholarly interest in China, ...
This paper proposes an alternative way of understanding China’s emergence, drawing on the idea of th...
China’s leaders are aware that the country’s emergence as a major power in the twenty-first century ...
This paper proposes an alternative way of understanding China’s emergence, drawing on the idea of th...
In the last century, no other nation has grown and transformed itself with such zeal as China. With ...
Creative industries in China provides a fresh account of China’s emerging commercial cultural sector...
In the last century, no other nation has grown and transformed itself with such zeal as China. With ...
This chapter examines the imperative for China to compete for international cultural acclaim. The te...
In this paper I discuss the changing relations between culture, services, and knowledge in China. I...
Given its origins as a borrowed concept from Western cultural policy discourse, creative industries ...
International audienceIf ‘China’, as Lee argues, is a product of Westernisation, then the West is it...