This thesis is an analysis of the media attention concerning the artist Anna Odell and her artwork Okänd, kvinna 2009 – 349701. The main materials I have used come from newspapers and articles where critics discuss Odell´s artwork in the period 2009 to 2015. The theoretical and methodological framework is based on Arthur C. Danto, George Dickie and Howard Beckers understanding of the art world and how artwork and artist receive their status. Another theoretical tool I have used is a discourse theory of Mara Lee. Lee helped me to understand the language and the relations between power and institutions. My aim with this thesis has been to understand how Okänd, kvinna 2009 – 349701 achieved its value and its transformation from a bad to a good...