A symposium that followed The Common Guild’s productions of 'At Twilight' by artist Simon Starling in collaboration with theatre maker Graham Eatough, and 'Sink Down Mountain, Rise Up Valley' by artist Ulla von Brandenburg, as well as other projects. It considered theatre and theatricality as form and media, and where and why they appear in contemporary visual art projects, specifically in works that use some of the conventions of theatre making, rather than positioning themselves in the anti-theatricality of ‘performance art’. Discussions included questions of contingency, presence and collective encounter and experience. Rather than ‘degenerating as it approaches the condition of theatre’*, is art in fact inherently theatrical? With...
The traditional forms of art writing we perhaps most readily think of - like the received and establ...
'Dramaturgy' and the 'dramaturg' have entered the discourse of English theatre practitioners over th...
Performance work is increasingly in dialogue with contemporary visual art; artists frequently utilis...
My research proposes the idea of staging as the various ways in which artworks are presented and/or ...
Over the last decade, the term 'lecture-performance' has come to circulate widely in contemporary ar...
Titled 'The Craft', this exhibition employed the inventive re-use of popular material from daily lif...
During the course of the 1990s, dramaturgical practice in England became identified with the writer-...
Performance art and theatre are both rooted in the same practices and ideas. Performance art is an a...
The everyday use, availability and familiarity with media and its technology, is influencing the eve...
The Performative Image and the Power of the Audience starts with a rejection of the assumption of sp...
Since the 1990s, performative art has been increasingly accepted into the cultural mainstream, becom...
The concept of theatricality became central to theatre and performance studies in recent years. In o...
This dissertation shall endeavour to explore the cultural art form of theatre through productions of...
Theatre is a socially and politically aware artform. It participates in the construction – and,\ud p...
This graduate paper deals with the phenomenon of the theatre spectacle that truly becomes alive no s...
The traditional forms of art writing we perhaps most readily think of - like the received and establ...
'Dramaturgy' and the 'dramaturg' have entered the discourse of English theatre practitioners over th...
Performance work is increasingly in dialogue with contemporary visual art; artists frequently utilis...
My research proposes the idea of staging as the various ways in which artworks are presented and/or ...
Over the last decade, the term 'lecture-performance' has come to circulate widely in contemporary ar...
Titled 'The Craft', this exhibition employed the inventive re-use of popular material from daily lif...
During the course of the 1990s, dramaturgical practice in England became identified with the writer-...
Performance art and theatre are both rooted in the same practices and ideas. Performance art is an a...
The everyday use, availability and familiarity with media and its technology, is influencing the eve...
The Performative Image and the Power of the Audience starts with a rejection of the assumption of sp...
Since the 1990s, performative art has been increasingly accepted into the cultural mainstream, becom...
The concept of theatricality became central to theatre and performance studies in recent years. In o...
This dissertation shall endeavour to explore the cultural art form of theatre through productions of...
Theatre is a socially and politically aware artform. It participates in the construction – and,\ud p...
This graduate paper deals with the phenomenon of the theatre spectacle that truly becomes alive no s...
The traditional forms of art writing we perhaps most readily think of - like the received and establ...
'Dramaturgy' and the 'dramaturg' have entered the discourse of English theatre practitioners over th...
Performance work is increasingly in dialogue with contemporary visual art; artists frequently utilis...