Three cello and piano recitals were given in lieu of a written dissertation. The first dissertation recital, 20th Century Canadian Works for Cello and Piano, was given in Britton Recital Hall at the University of Michigan on January 20th, 2014. Meditation for Cello and Piano by Alexis Contant Diversions on a Gipsy Song by Talivaldis Kenins Elegie for Cello and Piano by Andre Prévost La Charmeuse by Alexis Contant Sonata for Cello and Piano by Otto Joachim Dedication for Cello and Piano by Srul Irving Glick Variations for Cello and Piano by Wolfgang Heinz Otto Bottenberg Romance for Cello and Piano by Alexis Contant The second dissertation recital, Schumann and Mendelssohn Works for Cello and Piano, was given in Mazzoleni Recital Hall...
Three recitals of solo and chamber music were performed in lieu of a written dissertation. The reper...
Three recitals were performed in lieu of a written dissertation. The repertoire of these recitals ai...
The first lecture recital presented Alexander Tcherepnin’s Five Concert Studies, Op. 52, identifying...
Three cello recitals were given in lieu of written dissertation. Saturday, November 9, 2013, 8:00 p...
Three cello recitals were given in lieu of a written dissertation. The repertoire was selected for ...
Three violin recitals were given in lieu of a written dissertation. The repertoire for these recit...
Three piano recitals of diverse repertoire were given in lieu of a written dissertation. Wednesday,...
Three piano recitals were given in lieu of a written dissertation. The three recitals explored reper...
Three clarinet recitals were given in lieu of a written dissertation. Each recital given contained ...
Three collaborative piano recitals were given in lieu of a written dissertation. The first disserta...
1. First Dissertation Lecture Recital. “Thematic Development and Continuity in Sonata No. 1 in F Mi...
Three clarinet recitals were given in lieu of a written dissertation. The first recital was a lect...
The repertoire for these recitals was chosen by focusing on three specific composers to gain a deepe...
In lieu of a written dissertation, one lecture recital and two solo recitals were presented. The f...
Three dissertation recitals were given to fulfill the requirements of the degree of Doctor of Musica...
Three recitals of solo and chamber music were performed in lieu of a written dissertation. The reper...
Three recitals were performed in lieu of a written dissertation. The repertoire of these recitals ai...
The first lecture recital presented Alexander Tcherepnin’s Five Concert Studies, Op. 52, identifying...
Three cello recitals were given in lieu of written dissertation. Saturday, November 9, 2013, 8:00 p...
Three cello recitals were given in lieu of a written dissertation. The repertoire was selected for ...
Three violin recitals were given in lieu of a written dissertation. The repertoire for these recit...
Three piano recitals of diverse repertoire were given in lieu of a written dissertation. Wednesday,...
Three piano recitals were given in lieu of a written dissertation. The three recitals explored reper...
Three clarinet recitals were given in lieu of a written dissertation. Each recital given contained ...
Three collaborative piano recitals were given in lieu of a written dissertation. The first disserta...
1. First Dissertation Lecture Recital. “Thematic Development and Continuity in Sonata No. 1 in F Mi...
Three clarinet recitals were given in lieu of a written dissertation. The first recital was a lect...
The repertoire for these recitals was chosen by focusing on three specific composers to gain a deepe...
In lieu of a written dissertation, one lecture recital and two solo recitals were presented. The f...
Three dissertation recitals were given to fulfill the requirements of the degree of Doctor of Musica...
Three recitals of solo and chamber music were performed in lieu of a written dissertation. The reper...
Three recitals were performed in lieu of a written dissertation. The repertoire of these recitals ai...
The first lecture recital presented Alexander Tcherepnin’s Five Concert Studies, Op. 52, identifying...