Add to ORKGThree violin recitals were given in lieu of a written dissertation. The repertoire for these recitals was selected based on three major genres of the violin repertoire. The first recital, “Theme and Variations,” included highlights of theme and variation works in the violin repertoire ranging from Bach to Messiaen. The second recital, a lecture-recital titled “Dance,” illustrated how twentieth-century composers of different nationalities composed dances for the violin. The final recital, “Songs Without Words,” features a collection of lyrical works for the violin by five composers of different nationalities and time periods. Tuesday, November 27, 2012, 8:00 PM, Stamps Auditorium, University of Michigan. Professor Yizhak Schotten, viola, ...
Three piano recitals of diverse repertoire were given in lieu of a written dissertation. Wednesday,...
In lieu of a written dissertation, three recital programs were presented. The program content sele...
1. First Dissertation Lecture Recital. “Thematic Development and Continuity in Sonata No. 1 in F Mi...
The repertoire for these recitals was chosen by focusing on three specific composers to gain a deepe...
Three clarinet recitals were given in lieu of a written dissertation. Each recital given contained ...
Three cello and piano recitals were given in lieu of a written dissertation. The first dissertati...
In lieu of a dissertation, three violin recitals were presented. Recital 1: Theme and Variations ...
Three collaborative piano recitals were given in lieu of a written dissertation. The first disserta...
Three cello recitals were given in lieu of a written dissertation. The repertoire was selected for ...
The repertoire listed in these dissertation recitals covers each major epoch of Western art music fr...
Three piano recitals were given in lieu of a written dissertation. The three recitals explored reper...
Three violin recitals were given in lieu of a written dissertation. The repertoire for these three ...
Three cello recitals were given in lieu of written dissertation. Saturday, November 9, 2013, 8:00 p...
Three dissertation recitals were given to fulfill the requirements of the degree of Doctor of Musica...
Three recitals of solo and chamber music were performed in lieu of a written dissertation. The reper...
Three piano recitals of diverse repertoire were given in lieu of a written dissertation. Wednesday,...
In lieu of a written dissertation, three recital programs were presented. The program content sele...
1. First Dissertation Lecture Recital. “Thematic Development and Continuity in Sonata No. 1 in F Mi...
The repertoire for these recitals was chosen by focusing on three specific composers to gain a deepe...
Three clarinet recitals were given in lieu of a written dissertation. Each recital given contained ...
Three cello and piano recitals were given in lieu of a written dissertation. The first dissertati...
In lieu of a dissertation, three violin recitals were presented. Recital 1: Theme and Variations ...
Three collaborative piano recitals were given in lieu of a written dissertation. The first disserta...
Three cello recitals were given in lieu of a written dissertation. The repertoire was selected for ...
The repertoire listed in these dissertation recitals covers each major epoch of Western art music fr...
Three piano recitals were given in lieu of a written dissertation. The three recitals explored reper...
Three violin recitals were given in lieu of a written dissertation. The repertoire for these three ...
Three cello recitals were given in lieu of written dissertation. Saturday, November 9, 2013, 8:00 p...
Three dissertation recitals were given to fulfill the requirements of the degree of Doctor of Musica...
Three recitals of solo and chamber music were performed in lieu of a written dissertation. The reper...
Three piano recitals of diverse repertoire were given in lieu of a written dissertation. Wednesday,...
In lieu of a written dissertation, three recital programs were presented. The program content sele...
1. First Dissertation Lecture Recital. “Thematic Development and Continuity in Sonata No. 1 in F Mi...