Selecting an appropriate method for measuring ‘normal’ indoor concert hall acoustics is always a trade-off between time, stimulus type, number of measurements and measurement quality. For ISO 3382 room acoustic parameters to be derived accurately from impulse responses, this tradeoff\u3cbr/\u3eaims at a certain minimum decay range. Previously, there have been many attempts to obtain room acoustical parameter values in ancient amphitheatres, using hand claps, balloons, fire crackers, blank pistols, deterministic signals played by loudspeaker sound sources, etcetera. However, results are presented mostly without describing or discussing the quality of the obtained impulse responses (IR’s). Part of the Ancient Acoustics research project was to...
Impulse response measurements have been employed for assessing acoustical properties of rooms since ...
The evaluation of room acoustics characteristics in rooms has been thoroughly described in several p...
The stages of ancient theatres can be characterized by their circular shape called the ‘orchestra’, ...
Selecting an appropriate method for measuring ‘normal’ indoor concert hall acoustics is always a tra...
In the last decades we have seen an increased interest in the acoustics of ancient Greek and Roman t...
Nowadays, ancient open-air theatres are often re-adapted as performance spaces for the additional h...
Nowadays, ancient open-air theatres are often re-adapted as performance spaces for the additional hi...
The paper presents the acoustics analysis of three different enclosed spaces. These spaces (rooms) h...
The acoustics of a concert hall is often described with the help of ISO3382-1:2009 parameters. Howev...
The data set represents the measured impulse response in the ancient Theatre of Tyndaris performed ...
This paper reviews the development of newer types of auditorium acoustics measures that go beyond th...
Acoustics measurements have been carried out along the steps of an ancient open-air theater. Source ...
Concert halls are commonly compared to each other with the help of some acoustical parameters, such ...
The sound strength parameter G is one of the most important objective parameters related to the acou...
Open-air ancient theatres represent non-standard spaces from the point of view of room acoustics. Th...
Impulse response measurements have been employed for assessing acoustical properties of rooms since ...
The evaluation of room acoustics characteristics in rooms has been thoroughly described in several p...
The stages of ancient theatres can be characterized by their circular shape called the ‘orchestra’, ...
Selecting an appropriate method for measuring ‘normal’ indoor concert hall acoustics is always a tra...
In the last decades we have seen an increased interest in the acoustics of ancient Greek and Roman t...
Nowadays, ancient open-air theatres are often re-adapted as performance spaces for the additional h...
Nowadays, ancient open-air theatres are often re-adapted as performance spaces for the additional hi...
The paper presents the acoustics analysis of three different enclosed spaces. These spaces (rooms) h...
The acoustics of a concert hall is often described with the help of ISO3382-1:2009 parameters. Howev...
The data set represents the measured impulse response in the ancient Theatre of Tyndaris performed ...
This paper reviews the development of newer types of auditorium acoustics measures that go beyond th...
Acoustics measurements have been carried out along the steps of an ancient open-air theater. Source ...
Concert halls are commonly compared to each other with the help of some acoustical parameters, such ...
The sound strength parameter G is one of the most important objective parameters related to the acou...
Open-air ancient theatres represent non-standard spaces from the point of view of room acoustics. Th...
Impulse response measurements have been employed for assessing acoustical properties of rooms since ...
The evaluation of room acoustics characteristics in rooms has been thoroughly described in several p...
The stages of ancient theatres can be characterized by their circular shape called the ‘orchestra’, ...