Add to ORKGSound art is at the vanguard of contemporary creative practices seeking to establish a platform for meaningful debate on a range of accelerating global environmental crises. This paper explores how the Softday art/science collaboration moved from exploring histories of the natural world in the epoch of the Anthropocene, while engaging in a continuum of public and politicized contestations addressing climate change issues, to a participatory sound art practice that that we call Acouscenic Listening and Creative Soundwalks, which may help to develop a novel frame of understanding of the world.PUBLISHEDpeer-reviewe
As a response to the challenges that visual communication, popularly used in environmental communica...
The bicentenary of the 1817 Pentrich Revolution provided an opportunity for the composition of a ser...
Listening practices have been used to monitor and register ecosystems by a wide range of sound artis...
Recently, much attention has been paid to the many different forms of collaborative or participatory...
Recently, much attention has been paid to the many different forms of collaborative or participatory...
The global ecological crisis has inspired a movement of artists leading critical discourse on climat...
This chapter situates my creative process as provoking expressions that make audible the individual ...
The introduction to this double issue entitled “A Sonic Anthropocene: Sound Practices in a Changing ...
The era of COVID-19 has profoundly shaken the foundations of our lives. Our event venues have closed...
International audienceWhat does raining thousands of birds sound like ? A dreadful natural soundscap...
International audienceWhat does raining thousands of birds sound like ? A dreadful natural soundscap...
This article considers how visual and sonic art creates encounters through which audiences can exper...
The catastrophic impacts of climate change, vanishing biodiversity, and the rapid det...
This dissertation offers ecological disorientation as an analytic for making sense of affective expe...
As a response to the challenges that visual communication, popularly used in environmental communica...
As a response to the challenges that visual communication, popularly used in environmental communica...
The bicentenary of the 1817 Pentrich Revolution provided an opportunity for the composition of a ser...
Listening practices have been used to monitor and register ecosystems by a wide range of sound artis...
Recently, much attention has been paid to the many different forms of collaborative or participatory...
Recently, much attention has been paid to the many different forms of collaborative or participatory...
The global ecological crisis has inspired a movement of artists leading critical discourse on climat...
This chapter situates my creative process as provoking expressions that make audible the individual ...
The introduction to this double issue entitled “A Sonic Anthropocene: Sound Practices in a Changing ...
The era of COVID-19 has profoundly shaken the foundations of our lives. Our event venues have closed...
International audienceWhat does raining thousands of birds sound like ? A dreadful natural soundscap...
International audienceWhat does raining thousands of birds sound like ? A dreadful natural soundscap...
This article considers how visual and sonic art creates encounters through which audiences can exper...
The catastrophic impacts of climate change, vanishing biodiversity, and the rapid det...
This dissertation offers ecological disorientation as an analytic for making sense of affective expe...
As a response to the challenges that visual communication, popularly used in environmental communica...
As a response to the challenges that visual communication, popularly used in environmental communica...
The bicentenary of the 1817 Pentrich Revolution provided an opportunity for the composition of a ser...
Listening practices have been used to monitor and register ecosystems by a wide range of sound artis...