'Reasons to be Cheerful: Leigh Hunt and his Versatile, Trenchant, Observant, Empathetic, Witty Journalism'

Critical overview of Hunt's output as a journalist in the context of the exploration of global literary journalism and the global jourbalistic imagination to which this second anthology of critical essays is devoted. ‘It is often necessary for a good journalist to write bad literature. It is sometimes the first duty of a good man to write it’ G.K. Chesterton wrote, in a brief introduction to a collection of Dickens’s journalism. He expresses in characteristically pithy fashion a central problem with literary journalism and its interactions both with the outside world, and with the world of art. Few writers grappled with this problem more resolutely and consistently than Leigh Hunt, whom this chapter seeks to reposition as an important and unjustly neglected figure in nineteenth-century press history, whose determination—against considerable odds, including a controversial prison sentence—to stake a claim for the aesthetic realm from within the confines of the newspaper’s columns can be read not as a dilettantish affectation, but as a real theoretical and generic challenge to negative associations of journalism with self-serving corporate agendas. Dickens’s later skewering of some of Hunt’s supposed conceits through the character of Harold Skimpole in Bleak House can be seen as continuing a kind of debate about literary journalism itself: a form of professional riposte to Hunt’s deliberate conversion of the harsh realities around him into series of artistic ‘reasons to be cheerful.’ As an editor, sketch-writer, essayist, critic and stylist, Hunt deserves to be freshly construed