This article examines Vladimir Maiakovskii's frequent references to statues and monuments in his poetry in relation to traditions of iconoclasm in Russian culture in order not only to shed light on the poet's attitude toward the role of the past in the creation of a new culture but also to investigate the way in which the destruction, relocation, and transformation of monuments, both in the urban landscape and in art, reflects political change in Russia. James Rann demonstrates that, while Maiakovskii often invoked a binary iconoclastic discourse in which creation necessitates destruction, his poetry also articulated a more nuanced vision of cultural change through the symbol of the moving monument: the statue is preserved but also transfor...
Between 2014 and 2015, Ukraine and Poland experienced drastic political reconfigurations, when the f...
The purpose of the study is to trace the evolution of the philosophical concept of creativity in the...
Memorial monuments are a kind of art that follows its canons and forms, having its own ways of artis...
Monuments and Culture: Tendencies in Evoking Historical Memory in Contemporary Russia and the Role o...
Two iconoclasms took place in twentieth-century Russian history: the iconoclasm after the October re...
This thesis examines the position of the most canonical of official Soviet poets, Vladimir Maiakovsk...
In the wake of the dissolution of the USSR, not all statues and other monuments dedicated to Lenin h...
On August 1, 1990, there was an unprecedented event in the Ukrainian town of Chervonohrad: a crowd g...
This article theoretically overviews the disputes related to two heritage sites located in Vilnius, ...
The present work is an analyse of the phenomenon of Leninfall in Ukraine. This analysis explains the...
Much recent literature in cultural, political and social geography has considered the relationship b...
The first essay is a sustained reflection on and response to the question of why the notion of colle...
One striking similarity in the development of Kaliningrad, Vilnius, and Minsk, following the collaps...
The article is devoted to the analysis of lyrical historiosophic poem by M. Voloshin "Russia". The p...
The concept Petersburg text by Toporov is criticized for its mythological essence, for the confusion...
Between 2014 and 2015, Ukraine and Poland experienced drastic political reconfigurations, when the f...
The purpose of the study is to trace the evolution of the philosophical concept of creativity in the...
Memorial monuments are a kind of art that follows its canons and forms, having its own ways of artis...
Monuments and Culture: Tendencies in Evoking Historical Memory in Contemporary Russia and the Role o...
Two iconoclasms took place in twentieth-century Russian history: the iconoclasm after the October re...
This thesis examines the position of the most canonical of official Soviet poets, Vladimir Maiakovsk...
In the wake of the dissolution of the USSR, not all statues and other monuments dedicated to Lenin h...
On August 1, 1990, there was an unprecedented event in the Ukrainian town of Chervonohrad: a crowd g...
This article theoretically overviews the disputes related to two heritage sites located in Vilnius, ...
The present work is an analyse of the phenomenon of Leninfall in Ukraine. This analysis explains the...
Much recent literature in cultural, political and social geography has considered the relationship b...
The first essay is a sustained reflection on and response to the question of why the notion of colle...
One striking similarity in the development of Kaliningrad, Vilnius, and Minsk, following the collaps...
The article is devoted to the analysis of lyrical historiosophic poem by M. Voloshin "Russia". The p...
The concept Petersburg text by Toporov is criticized for its mythological essence, for the confusion...
Between 2014 and 2015, Ukraine and Poland experienced drastic political reconfigurations, when the f...
The purpose of the study is to trace the evolution of the philosophical concept of creativity in the...
Memorial monuments are a kind of art that follows its canons and forms, having its own ways of artis...