Payne���s two works in this exhibition were created by deconstructing the structural dynamics of painting and enfolding the resulting possibilities onto different external elements. The paintings exhibited not only their own particular structural/physical or material identity as painting, but also their relationship to other mediums. ���Austria��� was a floor-based work, made from high impact polystyrene (nine sheets cut into the form of paint spills laid over each other following the colours of the camouflage used by the Austrian army). ���Monolith��� contained nine blocks of polished 6x6x1 inch Perspex with sheets of solid acrylic paint between each one
A group exhibition that makes an exploration of the formal use of the basic drawing principle of lin...
‘Sculptomatic’ is a collaborative two-part project that examines how two artists can work together c...
This solo exhibition was developed through Pratt’s AHRC Fellowship entitled ‘Blind Faith - Exploring...
Melanchotopia was a site-specific exhibition curtaed by Nicolaus Schafhausen and Anne-Claire Schmitz...
The Indiscipline of Painting is an international group exhibition including works by forty-nine arti...
Group exhibition of works by: Colin Ardley, Gabriele Basch, Tashi Brauen, Greig Burgoyne, Emil Cimi...
An exhibition that took place in Gallery Malmo, a project space located as part of a larger complex ...
Two site-specific installations, ���How Buildings Learn��� and ���Civilization and its Discontents��...
Art informel or material painting was an art movement that emerged in the 1960 as artists' response ...
The Exhibition was made in collaboration with German artist Maximilian Reitmeier. The purpose of the...
ReconFigure Paintings is a solo exhibition at The Usher Gallery, Lincoln of an ongoing series of wor...
“I never thought I’d see you again” is not exactly about history painting. Neither obliged to any st...
My diploma thesis researches Matter Painting in the 2nd half of the 20th century, which content is a...
none2Statues, monuments, ceramics, metal alloys, etc., constituting the main part of the cultural he...
Beginning with Thomas Gainsborough’s 1750 painting of Mr. and Mrs. Andrews, Gonczarow re-imagines an...
A group exhibition that makes an exploration of the formal use of the basic drawing principle of lin...
‘Sculptomatic’ is a collaborative two-part project that examines how two artists can work together c...
This solo exhibition was developed through Pratt’s AHRC Fellowship entitled ‘Blind Faith - Exploring...
Melanchotopia was a site-specific exhibition curtaed by Nicolaus Schafhausen and Anne-Claire Schmitz...
The Indiscipline of Painting is an international group exhibition including works by forty-nine arti...
Group exhibition of works by: Colin Ardley, Gabriele Basch, Tashi Brauen, Greig Burgoyne, Emil Cimi...
An exhibition that took place in Gallery Malmo, a project space located as part of a larger complex ...
Two site-specific installations, ���How Buildings Learn��� and ���Civilization and its Discontents��...
Art informel or material painting was an art movement that emerged in the 1960 as artists' response ...
The Exhibition was made in collaboration with German artist Maximilian Reitmeier. The purpose of the...
ReconFigure Paintings is a solo exhibition at The Usher Gallery, Lincoln of an ongoing series of wor...
“I never thought I’d see you again” is not exactly about history painting. Neither obliged to any st...
My diploma thesis researches Matter Painting in the 2nd half of the 20th century, which content is a...
none2Statues, monuments, ceramics, metal alloys, etc., constituting the main part of the cultural he...
Beginning with Thomas Gainsborough’s 1750 painting of Mr. and Mrs. Andrews, Gonczarow re-imagines an...
A group exhibition that makes an exploration of the formal use of the basic drawing principle of lin...
‘Sculptomatic’ is a collaborative two-part project that examines how two artists can work together c...
This solo exhibition was developed through Pratt’s AHRC Fellowship entitled ‘Blind Faith - Exploring...