Add to ORKGThis article discusses an unpublished, anonymous sixteenth century drawing, a copy after a very famous invenzione by Michelangelo Buonarroti, the Pietà, which following his biographers, the artist made for a friend, the poet Vittoria Colonna. According to most scholars, Michelangelo’s Pietà was a so-called “presentation-drawing” and was to be recognized in a sheet nowadays at the Isabella Stuart Gardner Museum in Boston, also known in drawn copies, prints and paintings. However, recent studies have produced new evidence that Michelangelo’s Pietà circulated also painted among the Spirituali group, suggesting that it was a painting rather than a drawing. Moreover some scholars propose to recognized an original Michelangelo’s painting in the o...
A painting attributed to the sixteenth-century Venetian school was recently published in Birgu - A M...
For almost half a century art historical literature has concurred that the marble ‘San Giovannino’ (...
For almost half a century art historical literature has concurred that the marble ‘San Giovannino’ (...
This article discusses an unpublished, anonymous sixteenth century drawing, a copy after a very famo...
As one of the most important political and religious figures of the mid sixteenth century, Cardinal ...
For almost half a century art historical literature has concurred that the marble ‘San Giovannino’ (...
Until now, the drawings of the Marchigian artist Giovan Battista Lombardelli, active in the Marches,...
Until now, the drawings of the Marchigian artist Giovan Battista Lombardelli, active in the Marches,...
Focussing on the response to the Vatican Pietà and perversely using as a point of departure a 1...
Until now, the drawings of the Marchigian artist Giovan Battista Lombardelli, active in the Marches,...
Until now, the drawings of the Marchigian artist Giovan Battista Lombardelli, active in the Marches,...
The subject of this article are the themes Michelangelo made (1532 - 1540?) for two of his life\u27s...
The subject of this article are the themes Michelangelo made (1532 - 1540?) for two of his life\u27s...
The subject of this article are the themes Michelangelo made (1532 - 1540?) for two of his life\u27s...
Focussing on the response to the Vatican Pietà and perversely using as a point of departu...
A painting attributed to the sixteenth-century Venetian school was recently published in Birgu - A M...
For almost half a century art historical literature has concurred that the marble ‘San Giovannino’ (...
For almost half a century art historical literature has concurred that the marble ‘San Giovannino’ (...
This article discusses an unpublished, anonymous sixteenth century drawing, a copy after a very famo...
As one of the most important political and religious figures of the mid sixteenth century, Cardinal ...
For almost half a century art historical literature has concurred that the marble ‘San Giovannino’ (...
Until now, the drawings of the Marchigian artist Giovan Battista Lombardelli, active in the Marches,...
Until now, the drawings of the Marchigian artist Giovan Battista Lombardelli, active in the Marches,...
Focussing on the response to the Vatican Pietà and perversely using as a point of departure a 1...
Until now, the drawings of the Marchigian artist Giovan Battista Lombardelli, active in the Marches,...
Until now, the drawings of the Marchigian artist Giovan Battista Lombardelli, active in the Marches,...
The subject of this article are the themes Michelangelo made (1532 - 1540?) for two of his life\u27s...
The subject of this article are the themes Michelangelo made (1532 - 1540?) for two of his life\u27s...
The subject of this article are the themes Michelangelo made (1532 - 1540?) for two of his life\u27s...
Focussing on the response to the Vatican Pietà and perversely using as a point of departu...
A painting attributed to the sixteenth-century Venetian school was recently published in Birgu - A M...
For almost half a century art historical literature has concurred that the marble ‘San Giovannino’ (...
For almost half a century art historical literature has concurred that the marble ‘San Giovannino’ (...