Gendered violence and displacement of devadasis in the early twentieth-century south India

The early twentieth-century nationalist movements redefined Indian citizenship as gendered by appropriating the colonial categories religion/secular, marginalising the subaltern groups. Using Critical Religion and Cavanaugh, this article analyses the implications of these developments on devadasis, traditionally performers of music and dance, that resulted in their violent displacement to the fringes of the society. In doing so, this article shows that violence in the context of devadasi communities must be understood with a broader definition. The article will also argue that, albeit colonial categories, religion/secular categories had a different understanding among the indigenous/nationalists. In doing so, this article provides a postcolonial perspective to Critical Religion