Thesis comprised of creative artefact and theoretical exegesis. The research asks the question, can fairy tale appropriation, across a range of different mediums including literature, film, and video games, be ideologically subversive, especially with regards to retellings that engage in parodic practice for revisionary purposes
Both because of their prevalence in contemporary culture and because of their ability to affect the ...
The dissertation explores the complex structure of transmedial universes, which are the most prevale...
The end of the 20th century witnessed a rewriting of traditional tales for children in English. In 1...
Fairy tales once belonged to oral literature and later became part of the literary tradition, and th...
Disney’s Princess fairy tale films have retained their popularity in contemporary popular culture. H...
Established critics, such as Jack Zipes, assert that the subject matter of fairytales shows evidence...
The tradition of fairy tales has evolved drastically over the past five hundred years. At the beginn...
This chapter explores the construction, repetition and dissemination of idealised gender norms in po...
Many studies have shown the stereotypical characteristics of female protagonists in the original fai...
Though fairy-tale retellings by women writers are noted for their usefulness in reinventing feminini...
Abstract The literary fairy tale, present along history since the Middle Ages, is a device that port...
Fairy tales are often reduced to nothing more than the moral lesson that can be taught to children. ...
Feminists often denounce traditional fairy tales because they perpetuate the ideals of a patriarchal...
Feminism, masculinity and fairy tale figure within an extended analysis of Disney's Beauty and the B...
This dissertation examines contemporary revisions of four classic fairy tales: “Snow White,” “Sleepi...
Both because of their prevalence in contemporary culture and because of their ability to affect the ...
The dissertation explores the complex structure of transmedial universes, which are the most prevale...
The end of the 20th century witnessed a rewriting of traditional tales for children in English. In 1...
Fairy tales once belonged to oral literature and later became part of the literary tradition, and th...
Disney’s Princess fairy tale films have retained their popularity in contemporary popular culture. H...
Established critics, such as Jack Zipes, assert that the subject matter of fairytales shows evidence...
The tradition of fairy tales has evolved drastically over the past five hundred years. At the beginn...
This chapter explores the construction, repetition and dissemination of idealised gender norms in po...
Many studies have shown the stereotypical characteristics of female protagonists in the original fai...
Though fairy-tale retellings by women writers are noted for their usefulness in reinventing feminini...
Abstract The literary fairy tale, present along history since the Middle Ages, is a device that port...
Fairy tales are often reduced to nothing more than the moral lesson that can be taught to children. ...
Feminists often denounce traditional fairy tales because they perpetuate the ideals of a patriarchal...
Feminism, masculinity and fairy tale figure within an extended analysis of Disney's Beauty and the B...
This dissertation examines contemporary revisions of four classic fairy tales: “Snow White,” “Sleepi...
Both because of their prevalence in contemporary culture and because of their ability to affect the ...
The dissertation explores the complex structure of transmedial universes, which are the most prevale...
The end of the 20th century witnessed a rewriting of traditional tales for children in English. In 1...