This paper takes a detailed look at the Afghan-European hand embroidery initiative Guldusi. It examines the initiative as a cross-cultural collaborative needlework project that provides a space for a limited cultural encounter between Afghan and European women. As such, this paper considers the meaning of practices of needlework and making in general and in relation to discourses about women, identity, agency and empowerment more specifically. Analysis of a number of textile artefacts and the initiative’s website show that Guldusi’s envisioned act of cultural encounter and exchange appears to be limited and to emanate through the expressive narrative power of the European needlewomen. Nonetheless, the initiative can be seen to provide a pol...
The task of charting artistic practices informed and motivated by feminism in a designated geographi...
Using contemporary embroidered artwork as a bellwether for changing social relationships, this paper...
Drawing on our experience of commissioning and co-curating an exhibition of international conflict t...
This article discusses how to live with differences while maintaining differences in an internationa...
South Asia is home to an incredibly rich variety of embroideries that include folk, courtly, ritual,...
This exhibition looks at the separate cultural embroidery traditions of Madeira and UK. It investiga...
Anthropological research is qualitative, emergent, even intuitive. As Ingold proposes, in this regar...
This proposal is for a joint presentation by professor and graduate student critically appraising th...
Within the shifting territories of craft practice, the handmade has become a relational form of cont...
Arising from a recently formed research network, Stitching Together, this article introduces a colle...
This article reflects on creative arts practice as a means to research the interrelationships of cre...
Drawing on our experience of commissioning and co-curating an exhibition of international conflict t...
This article reflects on creative arts practice as a means to research the interrelationships of cre...
Border Threads is a collaborative art project where we have made a textile tapestry about the theme ...
The Narrative Cloth project was a collaboration between Fine Art and History staff at the University...
The task of charting artistic practices informed and motivated by feminism in a designated geographi...
Using contemporary embroidered artwork as a bellwether for changing social relationships, this paper...
Drawing on our experience of commissioning and co-curating an exhibition of international conflict t...
This article discusses how to live with differences while maintaining differences in an internationa...
South Asia is home to an incredibly rich variety of embroideries that include folk, courtly, ritual,...
This exhibition looks at the separate cultural embroidery traditions of Madeira and UK. It investiga...
Anthropological research is qualitative, emergent, even intuitive. As Ingold proposes, in this regar...
This proposal is for a joint presentation by professor and graduate student critically appraising th...
Within the shifting territories of craft practice, the handmade has become a relational form of cont...
Arising from a recently formed research network, Stitching Together, this article introduces a colle...
This article reflects on creative arts practice as a means to research the interrelationships of cre...
Drawing on our experience of commissioning and co-curating an exhibition of international conflict t...
This article reflects on creative arts practice as a means to research the interrelationships of cre...
Border Threads is a collaborative art project where we have made a textile tapestry about the theme ...
The Narrative Cloth project was a collaboration between Fine Art and History staff at the University...
The task of charting artistic practices informed and motivated by feminism in a designated geographi...
Using contemporary embroidered artwork as a bellwether for changing social relationships, this paper...
Drawing on our experience of commissioning and co-curating an exhibition of international conflict t...