In A Biblical Text and Its Afterlives, published seventeen years ago (unbelievably), I looked forward to what would become a significant turn back towards the biblical texts’ past futures. In this paper, I look at the density of futurity and modality in these past futures. The sacrifice of Isaac reaches beyond itself into the space of the subjunctive, the optative, the cohortative, poetry and prayer. Drawing on Nietzsche’s and Steiner’s intuition that the uniqueness of the human lies with the grammars of the future and the promise, I revive the memory of lost Christian texts in Greek, Syriac, Coptic and Middle English that show, clearly, that the akedah does not just have a long and obsessive history, but a dense and long history of longing...
This chapter critically explores notions of childhood development, particularly in regard to autism,...
The driving ambition of this thesis lies in identifying and disclosing distinct and divergent exampl...
The article considers the performance of 'Cracking the Crinoline' in public spaces by the Moving Mem...
This article takes a thematic approach to analyse aspects of the sculpture of Alfred Drury (1856–194...
In this essay I argue that Capgrave engages not only with Chaucer, but with classical texts - notabl...
In this paper I investigate the matrix of transatlantic literary exchange in Vladimir Nabokov’s Loli...
This article suggests that institutional workshops of assay were significant experimental sites in e...
This extensive (5700 word) review of Despret's recent book places it in the context of her earlier w...
“And you may ask yourself, well – how did I get here?” (Talking Heads – ‘Once in a Lifetime’). Ma...
This paper responds to the stream’s call to critically examine the bounds of truth, taking the relat...
Max Weber (who was writing at the turn of the 19th/20th centuries), argued that far from being the p...
There is a widespread assumption by academics and commentators that negative public attitudes to the...
Children's author and publishing entrepreneur Constancio C. Vigil was a Uruguayan who spent most of ...
This article reconsiders the gift within London's sixteenth- and early seventeenth-century livery co...
In this work the dualist philosophy of ibn “Arabi provided a framework for dealing with the complexi...
This chapter critically explores notions of childhood development, particularly in regard to autism,...
The driving ambition of this thesis lies in identifying and disclosing distinct and divergent exampl...
The article considers the performance of 'Cracking the Crinoline' in public spaces by the Moving Mem...
This article takes a thematic approach to analyse aspects of the sculpture of Alfred Drury (1856–194...
In this essay I argue that Capgrave engages not only with Chaucer, but with classical texts - notabl...
In this paper I investigate the matrix of transatlantic literary exchange in Vladimir Nabokov’s Loli...
This article suggests that institutional workshops of assay were significant experimental sites in e...
This extensive (5700 word) review of Despret's recent book places it in the context of her earlier w...
“And you may ask yourself, well – how did I get here?” (Talking Heads – ‘Once in a Lifetime’). Ma...
This paper responds to the stream’s call to critically examine the bounds of truth, taking the relat...
Max Weber (who was writing at the turn of the 19th/20th centuries), argued that far from being the p...
There is a widespread assumption by academics and commentators that negative public attitudes to the...
Children's author and publishing entrepreneur Constancio C. Vigil was a Uruguayan who spent most of ...
This article reconsiders the gift within London's sixteenth- and early seventeenth-century livery co...
In this work the dualist philosophy of ibn “Arabi provided a framework for dealing with the complexi...
This chapter critically explores notions of childhood development, particularly in regard to autism,...
The driving ambition of this thesis lies in identifying and disclosing distinct and divergent exampl...
The article considers the performance of 'Cracking the Crinoline' in public spaces by the Moving Mem...