[still need] “Truths are illusions about which one has forgotten that this is what they are.” Friedrich Nietzsche, “On truth and lie in an extra-moral sense” (Nietzsche, 46) Digitisation of cultural heritage collections in and by libraries, archives and museums is never a neutral process. The decisions we make today about what to digitise from our collections are inextricably influenced by past decisions made about which items should even be included in our collections. These selection processes reflect and perpetuate the worldviews of those people making these decisions as well, as power balances, or imbalances, prevalent at that time. In much of Africa, and elsewhere, European colonialism exerted a profound influence over collecting ins...
The collection of art by South African universities was inherent to colonial practice and central to...
This paper examines the presence of colonial ideology within art history that I argue erases and opp...
This article examines controversies arising from the perception of the instruments of cultural memor...
Quantitative measures of relative representations of gender and minoritised persons provide stark ev...
Cultural Bias of (Digitized) Natural History Collections Natural history museums and herbaria in th...
Drawing on his chapter in the collection Narrative Expansions (edited by Jess Crilly and Regina Ever...
Reckoning with colonial legacies in Western museum collections What are the possibilities and lim...
Investigating a body of archival manuscript research in any field can be a daunting undertaking, par...
In the debate about the colonial past of ethnographic museums in Western Europe, provenance research...
"Decolonising Museums is the second thematic publication of L'Internationale Online; it addresses co...
The recent debates surrounding the establishment of the Humboldt Forum in Berlin have given rise to ...
This report considers how documentary heritage collections held in archives and libraries in the UK ...
Essay argues for the practice of museum deaccessioning for diversification as a form of restitution
"The e-publication Decolonising Archives aims to show how archives bear testimony to what was, even ...
© 2019, The Author(s). As the European powers appeared to withdraw from their colonies, they often t...
The collection of art by South African universities was inherent to colonial practice and central to...
This paper examines the presence of colonial ideology within art history that I argue erases and opp...
This article examines controversies arising from the perception of the instruments of cultural memor...
Quantitative measures of relative representations of gender and minoritised persons provide stark ev...
Cultural Bias of (Digitized) Natural History Collections Natural history museums and herbaria in th...
Drawing on his chapter in the collection Narrative Expansions (edited by Jess Crilly and Regina Ever...
Reckoning with colonial legacies in Western museum collections What are the possibilities and lim...
Investigating a body of archival manuscript research in any field can be a daunting undertaking, par...
In the debate about the colonial past of ethnographic museums in Western Europe, provenance research...
"Decolonising Museums is the second thematic publication of L'Internationale Online; it addresses co...
The recent debates surrounding the establishment of the Humboldt Forum in Berlin have given rise to ...
This report considers how documentary heritage collections held in archives and libraries in the UK ...
Essay argues for the practice of museum deaccessioning for diversification as a form of restitution
"The e-publication Decolonising Archives aims to show how archives bear testimony to what was, even ...
© 2019, The Author(s). As the European powers appeared to withdraw from their colonies, they often t...
The collection of art by South African universities was inherent to colonial practice and central to...
This paper examines the presence of colonial ideology within art history that I argue erases and opp...
This article examines controversies arising from the perception of the instruments of cultural memor...