Two Books on Translation for the StageA book review of: ADAPTING TRANSLATION FOR THE STAGE. EDITED BY GERALDINE BRODIE AND EMMA COLE (2017)London and New York: Routledge. 298 pp.,and THE TRANSLATOR ON STAGE, GERALDINE BRODIE (2018)New York: Bloomsbury. 208 pp.
The back cover of this book describes it as “a practical study guide to postgraduate and research st...
With the growth of digital content and the consequences of globalization, more content is published ...
The growing number of scholars who have expressed the need for greater theoreti-cal, or at least ter...
Reviews of Margherita LAERA (ed.). Theatre and Adaptation: Return, Rewrite, Repeat. London and New Y...
Reviews of Margherita LAERA (ed.). Theatre and Adaptation: Return, Rewrite, Repeat. London and New Y...
Reviews of Margherita LAERA (ed.). Theatre and Adaptation: Return, Rewrite, Repeat. London and New Y...
Reviews of Margherita LAERA (ed.). Theatre and Adaptation: Return, Rewrite, Repeat. London and New Y...
Book ReviewJuliane HouseRoutledge: London and New York 2015 pp. 160The author of this book is probab...
Book ReviewJuliane HouseRoutledge: London and New York 2015 pp. 160The author of this book is probab...
How significant is academic research for the creation of a production for the stage, and how far sho...
.The special issues of the journals LIDIL (2015) and LEND (2016), edited by Filippo Fonio and Monica...
.The special issues of the journals LIDIL (2015) and LEND (2016), edited by Filippo Fonio and Monica...
Adaptation constitutes the driving force of contemporary culture, with stories adapted across an arr...
The back cover of this book describes it as “a practical study guide to postgraduate and research st...
Book review: Acting Shakespeare’s language, by Andy Hinds. London: Oberon Books Ltd, 2015; ISBN: 97...
The back cover of this book describes it as “a practical study guide to postgraduate and research st...
With the growth of digital content and the consequences of globalization, more content is published ...
The growing number of scholars who have expressed the need for greater theoreti-cal, or at least ter...
Reviews of Margherita LAERA (ed.). Theatre and Adaptation: Return, Rewrite, Repeat. London and New Y...
Reviews of Margherita LAERA (ed.). Theatre and Adaptation: Return, Rewrite, Repeat. London and New Y...
Reviews of Margherita LAERA (ed.). Theatre and Adaptation: Return, Rewrite, Repeat. London and New Y...
Reviews of Margherita LAERA (ed.). Theatre and Adaptation: Return, Rewrite, Repeat. London and New Y...
Book ReviewJuliane HouseRoutledge: London and New York 2015 pp. 160The author of this book is probab...
Book ReviewJuliane HouseRoutledge: London and New York 2015 pp. 160The author of this book is probab...
How significant is academic research for the creation of a production for the stage, and how far sho...
.The special issues of the journals LIDIL (2015) and LEND (2016), edited by Filippo Fonio and Monica...
.The special issues of the journals LIDIL (2015) and LEND (2016), edited by Filippo Fonio and Monica...
Adaptation constitutes the driving force of contemporary culture, with stories adapted across an arr...
The back cover of this book describes it as “a practical study guide to postgraduate and research st...
Book review: Acting Shakespeare’s language, by Andy Hinds. London: Oberon Books Ltd, 2015; ISBN: 97...
The back cover of this book describes it as “a practical study guide to postgraduate and research st...
With the growth of digital content and the consequences of globalization, more content is published ...
The growing number of scholars who have expressed the need for greater theoreti-cal, or at least ter...
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