The spatial supplement: landscape and perspective in W.G. Sebald’s The Rings of Saturn

For cultural geographers, uncertainties inhabit the concept of ‘landscape'. The term shuttles between describing embodied practice of immersion in an environment, and indicating representational strategies for looking at an environment. This article provides a reading of W.G. Sebald's The Rings of Saturn as a platform from which to offer a critique of current understandings of landscape from a critical perspective that looks to assimilate the findings of cultural geography and literary studies. Sebald's record of an ambulatory journey through coastal Suffolk aims not to resolve the instabilities of ‘landscape', but to collapse into one another its discrete meanings: it is through the history of previous artistic visitation, coupled with his own sensory involvement, that Sebald engages with and inhabits the landscape that he describes. Derrida's notion of ‘supplementarity' is employed to provide purchase by which to recognize the interdependence of practice and representation in the production of landscape in Sebald's text, and in a widely applicable understanding of the term's complexities