Add to ORKGIn my thesis I apply Walter Benjamin's thought as interpretative framework to Karel Teige's texts and I focus on notions of aura and autonomy. In the first chapter I initiate my exposition with reading Benjamin's notion of aura as spatiotemporal continuity of an artwork, its uniqueness if it is valued by society. I refuse that Benjamin rejects the autonomy of an artwork as opposite to its tendentiousness and political commitment. Benjamin's proclamation of the politicization of art from the conclusion of The Work of Art in the Age of its Technological Reproducibility is supposed to be read as the literarization of the conditions of living from his text Autor as Producer. In conclusion is admitted that this demand can be read as a rejection ...
My dissertation discusses the relationship of art to the category of the aesthetic. Conceiving of ar...
“Brevity” epitomizes Walter Benjamin\u27s One-Way Street, an avant-garde text composed entirely of a...
W latach trzydziestych XX wieku Walter Benjamin stwierdził, że możliwość technicznej reprodukcji dzi...
In my thesis I apply Walter Benjamin's thought as interpretative framework to Karel Teige's texts an...
In my thesis I focus on Benjamin's notion of aura which can be found in The Work of Art in the Age o...
If we take Benjamin's definitions to their logical conclusion, then the monad and the reproduced cop...
The vanishing of the aura is the most celebrated postulate not only in Walter Benjamin's most celebr...
Bakalaura darbā “Valtera Benjamina auras jēdziena kritika Borisa Groisa mākslas teorijā” tiek apskat...
Walter Benjamin formulated the concept of the aura in 1930 while experimenting with hashish. He desc...
The essay has three main objectives and therefore is divided into three parts. The first is to dispe...
This article intends to investigate how the work of art, especially the technically produced work, c...
A thesis submitted in fulfilment of the requirements of the University of Wolverhampton for the degr...
Walter Benjamin fully captures the radical transformation of the aesthetic experience of some of the...
In the early 1940s, Karel Teige, a prominent theorist of the Czech avant-garde, returns to Max Dvoř...
From the closing decades of the twentieth century, the philosophy of Walter Benjamin has been readil...
My dissertation discusses the relationship of art to the category of the aesthetic. Conceiving of ar...
“Brevity” epitomizes Walter Benjamin\u27s One-Way Street, an avant-garde text composed entirely of a...
W latach trzydziestych XX wieku Walter Benjamin stwierdził, że możliwość technicznej reprodukcji dzi...
In my thesis I apply Walter Benjamin's thought as interpretative framework to Karel Teige's texts an...
In my thesis I focus on Benjamin's notion of aura which can be found in The Work of Art in the Age o...
If we take Benjamin's definitions to their logical conclusion, then the monad and the reproduced cop...
The vanishing of the aura is the most celebrated postulate not only in Walter Benjamin's most celebr...
Bakalaura darbā “Valtera Benjamina auras jēdziena kritika Borisa Groisa mākslas teorijā” tiek apskat...
Walter Benjamin formulated the concept of the aura in 1930 while experimenting with hashish. He desc...
The essay has three main objectives and therefore is divided into three parts. The first is to dispe...
This article intends to investigate how the work of art, especially the technically produced work, c...
A thesis submitted in fulfilment of the requirements of the University of Wolverhampton for the degr...
Walter Benjamin fully captures the radical transformation of the aesthetic experience of some of the...
In the early 1940s, Karel Teige, a prominent theorist of the Czech avant-garde, returns to Max Dvoř...
From the closing decades of the twentieth century, the philosophy of Walter Benjamin has been readil...
My dissertation discusses the relationship of art to the category of the aesthetic. Conceiving of ar...
“Brevity” epitomizes Walter Benjamin\u27s One-Way Street, an avant-garde text composed entirely of a...
W latach trzydziestych XX wieku Walter Benjamin stwierdził, że możliwość technicznej reprodukcji dzi...