The subject of the thesis is the modern-day Beijing opera included in the canon of the "Eight Model Plays". The operas are discussed in their historical and ideological context. Their contents and forms are analysed to investigate in what sense they meet the requirements put forward by Mao Zedong in his theory of literature and art, as originally formulated at the Yan'an 延安 conference in 1942. The thesis focuses, in particular, on Mao's idea of using traditional forms to communicate new and revolutionary content (known as "putting new wine in old bottles")
This dissertation is concerned with the reform and preservation of traditional drama, particularly t...
The thesis will be divided into the following parts: the introduction will focus on the objectives o...
This dissertation captures a critical moment in China’s history when the interest in opera transform...
This thesis examines the political transformation of the theatre in the People's Republic of China. ...
This book tells the story of how a regional Chinese theatrical form, Shanghai Yue Opera, evolved fro...
This dissertation discusses the reinvention of traditional local Chinese opera in the context of nat...
During the Great Cultural Revolution (1966-1976) eight revolutionary model operas were popularized a...
In the last decade, China's government has been supportive of various cultural trends in creative ci...
The "Red Theatre", or "Red Theatre Revolutionary Model Army", was very popular during the Cultural R...
2014-04-15For over two hundred years, Beijing Opera has been the essential expression of traditional...
This study examines the characteristics of the Great Proletarian Cultural Revolution (1966-1976) thr...
Utilizing theories of Becker’s art worlds, Veblen’s conspicuous consumption and Bourdieu’s capital f...
This thesis explores some issues related to directed change in Chinese literature and art from 1930 ...
The master thesis presents the transformation, which underwent the artist's concepts and the role it...
The history of Chinese theater has an important role in the evolution of universal spiritual and art...
This dissertation is concerned with the reform and preservation of traditional drama, particularly t...
The thesis will be divided into the following parts: the introduction will focus on the objectives o...
This dissertation captures a critical moment in China’s history when the interest in opera transform...
This thesis examines the political transformation of the theatre in the People's Republic of China. ...
This book tells the story of how a regional Chinese theatrical form, Shanghai Yue Opera, evolved fro...
This dissertation discusses the reinvention of traditional local Chinese opera in the context of nat...
During the Great Cultural Revolution (1966-1976) eight revolutionary model operas were popularized a...
In the last decade, China's government has been supportive of various cultural trends in creative ci...
The "Red Theatre", or "Red Theatre Revolutionary Model Army", was very popular during the Cultural R...
2014-04-15For over two hundred years, Beijing Opera has been the essential expression of traditional...
This study examines the characteristics of the Great Proletarian Cultural Revolution (1966-1976) thr...
Utilizing theories of Becker’s art worlds, Veblen’s conspicuous consumption and Bourdieu’s capital f...
This thesis explores some issues related to directed change in Chinese literature and art from 1930 ...
The master thesis presents the transformation, which underwent the artist's concepts and the role it...
The history of Chinese theater has an important role in the evolution of universal spiritual and art...
This dissertation is concerned with the reform and preservation of traditional drama, particularly t...
The thesis will be divided into the following parts: the introduction will focus on the objectives o...
This dissertation captures a critical moment in China’s history when the interest in opera transform...