A 1000-word commissioned review of the 2018 photographic exhibition at the National Maritime Museum, London: The Great British Seaside. The article examines insularity and outlook in representations of national coastal leisure, presented in the show through four interlocking photographic points of view. The article is one of a series by Pollen for Source: The Photographic Review since 2012, covering photography in film and exhibition as well as in art and academic publications
Ostensibly contemporary art biennials seek to engage with the places that host them, yet frequently ...
The seaside resort has long held a distinctive position within the history of British leisure. Its p...
HAYLING ISLAND SERIES, made 1985, featured in the major exhibition 'Seaside: photographed' at Turner...
A 1000-word commissioned review of the 2018 photographic exhibition at the Barbican Gallery, Another...
Karen Shepherdson and Val Williams were commissioned to co-curate the exhibition Seaside Photographe...
Review of British photographer Simon Roberts's project Pierdom (http://pierdom.com), exhibited at th...
This 2000-word review appeared on the Ph: Photography Research Network's blog in March 2011. It disc...
International audienceThis paper examines the specificity of the coastline as a natural, cultural an...
A 1000-word review essay for the quarterly photography journal Source: The Photographic Review. The ...
In this research Giles utilises photography to highlight the cultural importance and significance of...
‘Panorama’ is an ongoing photographic research project begun in 2010 that has origins in previous wo...
Commissioned review of book and exhibition, The Hobbyist: Hobbies, Photography and the Hobby of Phot...
This paper presents a piece of practice-based photographic research called Going Away that explores ...
‘Panoramic’ is an ongoing photographic research project begun in 2010 that has origins in previous w...
Before package holidays and jetting off on an aeroplane became the typical family holiday, British f...
Ostensibly contemporary art biennials seek to engage with the places that host them, yet frequently ...
The seaside resort has long held a distinctive position within the history of British leisure. Its p...
HAYLING ISLAND SERIES, made 1985, featured in the major exhibition 'Seaside: photographed' at Turner...
A 1000-word commissioned review of the 2018 photographic exhibition at the Barbican Gallery, Another...
Karen Shepherdson and Val Williams were commissioned to co-curate the exhibition Seaside Photographe...
Review of British photographer Simon Roberts's project Pierdom (http://pierdom.com), exhibited at th...
This 2000-word review appeared on the Ph: Photography Research Network's blog in March 2011. It disc...
International audienceThis paper examines the specificity of the coastline as a natural, cultural an...
A 1000-word review essay for the quarterly photography journal Source: The Photographic Review. The ...
In this research Giles utilises photography to highlight the cultural importance and significance of...
‘Panorama’ is an ongoing photographic research project begun in 2010 that has origins in previous wo...
Commissioned review of book and exhibition, The Hobbyist: Hobbies, Photography and the Hobby of Phot...
This paper presents a piece of practice-based photographic research called Going Away that explores ...
‘Panoramic’ is an ongoing photographic research project begun in 2010 that has origins in previous w...
Before package holidays and jetting off on an aeroplane became the typical family holiday, British f...
Ostensibly contemporary art biennials seek to engage with the places that host them, yet frequently ...
The seaside resort has long held a distinctive position within the history of British leisure. Its p...
HAYLING ISLAND SERIES, made 1985, featured in the major exhibition 'Seaside: photographed' at Turner...