Add to ORKGThis article is a re-examination of the Great Exhibition through the lens of World History; it reflects upon the neglected displays of raw materials and considers their mobility rather than status as static exhibits
Universal exhibitions are almost exclusively described as representations of an outside reality. The...
The Global Lives of Things considers the ways in which ‘things’, ranging from commodities to works o...
How did industrial museums cross the Atlantic? When the first American museums of science and indust...
In this article I interrogate the complex relationship between nature and culture by examining how t...
World fairs and exhibitions served as important venues for empires to showcase their industrial and ...
Industrial exhibitions, going back to the second half of the 18th century, were always considered an...
This article charts the confluence and eventual overlap between two different fields: that of world/...
Published online: June 2022This article charts the confluence and eventual overlap between two diffe...
This article examines the 1935–1936 International Exhibition of Chinese Art in London, “the largest ...
This article examines how the architecture of international exhibitions stimulated sensations of mov...
World exhibitions are didactical instruments in the hands of the upcoming elites who instructed the ...
Apparitions of empire and imperial ideologies were deeply embedded in the International Exhibition, ...
Museum collections are often perceived as static entities hidden away in storerooms or trapped behin...
At the end of the nineteenth century, Brazil, Mexico, and Peru were among the countries participatin...
During the nineteenth century learning through first-hand engagement with things was taken up by edu...
Universal exhibitions are almost exclusively described as representations of an outside reality. The...
The Global Lives of Things considers the ways in which ‘things’, ranging from commodities to works o...
How did industrial museums cross the Atlantic? When the first American museums of science and indust...
In this article I interrogate the complex relationship between nature and culture by examining how t...
World fairs and exhibitions served as important venues for empires to showcase their industrial and ...
Industrial exhibitions, going back to the second half of the 18th century, were always considered an...
This article charts the confluence and eventual overlap between two different fields: that of world/...
Published online: June 2022This article charts the confluence and eventual overlap between two diffe...
This article examines the 1935–1936 International Exhibition of Chinese Art in London, “the largest ...
This article examines how the architecture of international exhibitions stimulated sensations of mov...
World exhibitions are didactical instruments in the hands of the upcoming elites who instructed the ...
Apparitions of empire and imperial ideologies were deeply embedded in the International Exhibition, ...
Museum collections are often perceived as static entities hidden away in storerooms or trapped behin...
At the end of the nineteenth century, Brazil, Mexico, and Peru were among the countries participatin...
During the nineteenth century learning through first-hand engagement with things was taken up by edu...
Universal exhibitions are almost exclusively described as representations of an outside reality. The...
The Global Lives of Things considers the ways in which ‘things’, ranging from commodities to works o...
How did industrial museums cross the Atlantic? When the first American museums of science and indust...