What is the value of a portrait when we don't know who is in it? Knowing the Unknown Sitter was an on-line anthology of texts relating to ten unidentified portraits, selected from a wealth of material found in national collections across the UK. Through the discussion of these portraits, unknownsitter.com raised questions about the nature of identity, representation, and the role of the observer in interpreting visual images. The result of an initial collaboration between artist Nicky Bird and art historian Lara Perry, and funded by the British Academy, the project brought together writers from a range of disciplines as well as portraits - some of which have never been published before - to explore the problem of the unknown sitter, and the...
In this project the residents of the Gatwick Private Hotel stand with a blanket covering their faces...
Elizabeth Orcutt Portfolio based on PhD work to date "Photography and Reflection: Images of My Self"...
This work is a confession in front of both myself and the one who reads my words and looks at my ima...
What is the value of a portrait when we don’t know who is in it? Knowing the Unknown Sitter was a...
Alex Veness speculates about one woman's motives for having her portrait taken, and for whom the por...
“Photography provides a record of history but also offers a unique mode of storytelling. But what ha...
After an article appeared in The Guardian newspaper in 2014, the variety of labels that had been asc...
This article is a contribution to the project About Face. About Face is a research group at the U...
A great portrait will reveal a person’s unique essence or inner character. This is one of the most c...
Architect Francisco Moura Veiga interviews Annebella Pollen on the subject of photo booths for the r...
This paper examines the role of the face as it is caught suspended in private contemplation in candi...
After an article appeared in The Guardian newspaper in 2014, the variety of labels that had been asc...
This thesis proposes a viewing of portraiture through the conceptualisation and consciousness of dia...
Portrait selections from the permanent collection, Spring 1986https://digitalcommons.lasalle.edu/exh...
This article is a fictional response to paintings, sketches and notebooks left behind by the painter...
In this project the residents of the Gatwick Private Hotel stand with a blanket covering their faces...
Elizabeth Orcutt Portfolio based on PhD work to date "Photography and Reflection: Images of My Self"...
This work is a confession in front of both myself and the one who reads my words and looks at my ima...
What is the value of a portrait when we don’t know who is in it? Knowing the Unknown Sitter was a...
Alex Veness speculates about one woman's motives for having her portrait taken, and for whom the por...
“Photography provides a record of history but also offers a unique mode of storytelling. But what ha...
After an article appeared in The Guardian newspaper in 2014, the variety of labels that had been asc...
This article is a contribution to the project About Face. About Face is a research group at the U...
A great portrait will reveal a person’s unique essence or inner character. This is one of the most c...
Architect Francisco Moura Veiga interviews Annebella Pollen on the subject of photo booths for the r...
This paper examines the role of the face as it is caught suspended in private contemplation in candi...
After an article appeared in The Guardian newspaper in 2014, the variety of labels that had been asc...
This thesis proposes a viewing of portraiture through the conceptualisation and consciousness of dia...
Portrait selections from the permanent collection, Spring 1986https://digitalcommons.lasalle.edu/exh...
This article is a fictional response to paintings, sketches and notebooks left behind by the painter...
In this project the residents of the Gatwick Private Hotel stand with a blanket covering their faces...
Elizabeth Orcutt Portfolio based on PhD work to date "Photography and Reflection: Images of My Self"...
This work is a confession in front of both myself and the one who reads my words and looks at my ima...