Afterimage: Engagements with the Cinematic, two-day intervention Arnolfini, Bristol, curators: ICF International Curators Forum. Running alongside Encounters Film Festival, this two-day symposium will address issues around production, distribution and understanding of the moving image in an era of mass and intimate media. Internationally acclaimed artists, curators and agencies will discuss their work and the impact of cinema as an industry and a scene of cultural production. For the first time the focus here is in discussing how artists have engaged with the mainstream processes of production in cinema whilst retaining their aesthetic and political edge. It will also explore how this dialogue between cinema, gallery and digital platforms c...
The aim of the volume Exhibited Cinema is to reconstruct the history of cinema in exhibition context...
Curated by Valeria Mancinelli, Chiara Nuzzi and Stefania Rispoli, the exhibition explores the existi...
Utilising case studies from my curatorial practice, this paper discusses the balance between researc...
AfterImage is a 3 part international group exhibition with accompanying cultural arts programme. It ...
2011-10-16Film has always had an important relationship to the art world and a number of well-known ...
This themed issue presents a selection of contributions from the Post-Screen Cultures/Practices symp...
Some filmmakers or artists decide to put art at the heart of their creation, applying not only the r...
The domestication of creative software and hardware has been a significant factor in the recent prol...
Biennale: Artists Film and Video was curated by Anthony Gross of London based artist-run space tempo...
Misdirect Movies is a curated touring exhibition exploring new possibilities of collage, employing m...
This John Hansard Gallery exhibition brings together eight international artists whose work examines...
This chapter explores the short-lived phenomenon of the live broadcast of museum exhibitions into ci...
This volume, published in parallel to “Exhibiting the Moving Image,” extends the inquiry into the hi...
The international group exhibition Documents from the Edges of Conflict presents the work of artists...
This practice-based research examines the relationship between the historical framework of Expanded...
The aim of the volume Exhibited Cinema is to reconstruct the history of cinema in exhibition context...
Curated by Valeria Mancinelli, Chiara Nuzzi and Stefania Rispoli, the exhibition explores the existi...
Utilising case studies from my curatorial practice, this paper discusses the balance between researc...
AfterImage is a 3 part international group exhibition with accompanying cultural arts programme. It ...
2011-10-16Film has always had an important relationship to the art world and a number of well-known ...
This themed issue presents a selection of contributions from the Post-Screen Cultures/Practices symp...
Some filmmakers or artists decide to put art at the heart of their creation, applying not only the r...
The domestication of creative software and hardware has been a significant factor in the recent prol...
Biennale: Artists Film and Video was curated by Anthony Gross of London based artist-run space tempo...
Misdirect Movies is a curated touring exhibition exploring new possibilities of collage, employing m...
This John Hansard Gallery exhibition brings together eight international artists whose work examines...
This chapter explores the short-lived phenomenon of the live broadcast of museum exhibitions into ci...
This volume, published in parallel to “Exhibiting the Moving Image,” extends the inquiry into the hi...
The international group exhibition Documents from the Edges of Conflict presents the work of artists...
This practice-based research examines the relationship between the historical framework of Expanded...
The aim of the volume Exhibited Cinema is to reconstruct the history of cinema in exhibition context...
Curated by Valeria Mancinelli, Chiara Nuzzi and Stefania Rispoli, the exhibition explores the existi...
Utilising case studies from my curatorial practice, this paper discusses the balance between researc...