This catalogue essay was commissioned by Matt Smith, Polly Harknett and Caitlin Heffernan, co-curators of Unravelling Nymans (4 May-31 October, 2012). The project is the first of three exhibitions by the Unravelled group of artists and designers staged within National Trust Properties. My essay focuses on three of the installations in the show and argues how, through the strategy of masquerade and transformation, they represent to one degree or another a mythological entwining of past and present in the work and life of one of Nyman's latterday inhabitants, the celebrated theatre and costume designer Oliver Messel
The research investigated the role of pleasure in contemporary art practice. The project resulted in...
[The author of this article, an artist himself, explores the significance of the masque in different...
This article analyzes Serge Murphy’s exhibition “La Forme des Jours” at the Musée des Beaux Arts, Mo...
The final instalment of Carroll / Fletcher’s four-part exhibition draws together works that turn the...
In 2015 Tate’s Curator of Performance Catherine Wood and Choreographer Boris Charmatz devised ‘If Ta...
This catalogue essay examines the work of two contemporary abstract painters, Maisie Kendall and Ric...
Titled 'The Craft', this exhibition employed the inventive re-use of popular material from daily lif...
Catalogue essay for Sam Smith and Andrea Zucchini, Here the Sun Does not Enter, Assembly Point Gall...
Ortega y Gasset Projects is pleased to present Ornament and Crime, an exhibition organized by Lauren...
Essay for the catalogue accompanying the exhibition Intreccio Mirage by Milly Thompson at 43 Inverne...
The exhibition 'Malign Muses: When Fashion Turns Back' was commissioned by ModeMuseum, Antwerp, a mu...
Exhibition catalogue published on the occasion of the exhibition held at the Camden Arts Centre, Lon...
"Here Marman and Borins present a disordered world of ideas where no belief system has primacy. The ...
My thesis investigates the relationship between the ‘queer’ subjectivities and visual culture of Ste...
Kalos is the first in a series of exhibitions hosted by the Sevenoaks Kaleidoscope Gallery in 2010 t...
The research investigated the role of pleasure in contemporary art practice. The project resulted in...
[The author of this article, an artist himself, explores the significance of the masque in different...
This article analyzes Serge Murphy’s exhibition “La Forme des Jours” at the Musée des Beaux Arts, Mo...
The final instalment of Carroll / Fletcher’s four-part exhibition draws together works that turn the...
In 2015 Tate’s Curator of Performance Catherine Wood and Choreographer Boris Charmatz devised ‘If Ta...
This catalogue essay examines the work of two contemporary abstract painters, Maisie Kendall and Ric...
Titled 'The Craft', this exhibition employed the inventive re-use of popular material from daily lif...
Catalogue essay for Sam Smith and Andrea Zucchini, Here the Sun Does not Enter, Assembly Point Gall...
Ortega y Gasset Projects is pleased to present Ornament and Crime, an exhibition organized by Lauren...
Essay for the catalogue accompanying the exhibition Intreccio Mirage by Milly Thompson at 43 Inverne...
The exhibition 'Malign Muses: When Fashion Turns Back' was commissioned by ModeMuseum, Antwerp, a mu...
Exhibition catalogue published on the occasion of the exhibition held at the Camden Arts Centre, Lon...
"Here Marman and Borins present a disordered world of ideas where no belief system has primacy. The ...
My thesis investigates the relationship between the ‘queer’ subjectivities and visual culture of Ste...
Kalos is the first in a series of exhibitions hosted by the Sevenoaks Kaleidoscope Gallery in 2010 t...
The research investigated the role of pleasure in contemporary art practice. The project resulted in...
[The author of this article, an artist himself, explores the significance of the masque in different...
This article analyzes Serge Murphy’s exhibition “La Forme des Jours” at the Musée des Beaux Arts, Mo...