Architects like to invoke machines and do so in numerous ways. This dates back not just to the modern movement’s obsession with the machine but to Book X of Vitruvius while more recently machines have become popular in architecture schools perhaps to the point of oversaturation. Although there is much that has been written on the subject of architecture and machines much of this has dealt only with specific aspects and there is therefore a sense in which the subject has only been approached fragmentarily. The idea of this exhibition is to explore the underlying connections between the different interpretations of the machine in relation to architecture
Daniel Libeskind constructs Three Lessons in Architecture for the Venice Biennale 1985. The project ...
Our relationship with machines has evolved, dislocating our connection to the natural world, by look...
How do machines, and, in particular, computational technologies, change the way we see the world? Th...
Architecture has always been an image machine. From the Lascaux cave paintings to the Sainte-Chapell...
The primary contention of this study is that there are ways to orient architecture other than techno...
As technology becomes more prevalent in our society, it becomes more concealed. There is danger when...
Exhibition of the work of Miyu Hayashi, Ruth Kerr, Willy Le Maitre, Tom Sherman and Steina Vasulka, ...
Exhibition of the work of Miyu Hayashi, Ruth Kerr, Willy Le Maitre, Tom Sherman and Steina Vasulka, ...
In her article “The Allegorical Architectural Project as a Critical Method”, Penelope Haralambidou p...
IN 1985, STUDENT’S AT CRANBROOK UNIVERSITY CREATED THREE ARCHITECTURAL MACHINES FOR THE VENICE BIENN...
From the very beginning of architecture, technology as a constituting part of culture and civilizati...
For the Venice Biennale 1985, Daniel Libeskind constructs Three Lessons in Architecture. The project...
This thesis speculates about the possibility of softening architecture through machines. In deviatin...
A Machine Aesthetic is a curated national touring exhibition which took place at Gallery North, Newc...
This article summarises a series of experiments at the Architectural Association between 2011 and 20...
Daniel Libeskind constructs Three Lessons in Architecture for the Venice Biennale 1985. The project ...
Our relationship with machines has evolved, dislocating our connection to the natural world, by look...
How do machines, and, in particular, computational technologies, change the way we see the world? Th...
Architecture has always been an image machine. From the Lascaux cave paintings to the Sainte-Chapell...
The primary contention of this study is that there are ways to orient architecture other than techno...
As technology becomes more prevalent in our society, it becomes more concealed. There is danger when...
Exhibition of the work of Miyu Hayashi, Ruth Kerr, Willy Le Maitre, Tom Sherman and Steina Vasulka, ...
Exhibition of the work of Miyu Hayashi, Ruth Kerr, Willy Le Maitre, Tom Sherman and Steina Vasulka, ...
In her article “The Allegorical Architectural Project as a Critical Method”, Penelope Haralambidou p...
IN 1985, STUDENT’S AT CRANBROOK UNIVERSITY CREATED THREE ARCHITECTURAL MACHINES FOR THE VENICE BIENN...
From the very beginning of architecture, technology as a constituting part of culture and civilizati...
For the Venice Biennale 1985, Daniel Libeskind constructs Three Lessons in Architecture. The project...
This thesis speculates about the possibility of softening architecture through machines. In deviatin...
A Machine Aesthetic is a curated national touring exhibition which took place at Gallery North, Newc...
This article summarises a series of experiments at the Architectural Association between 2011 and 20...
Daniel Libeskind constructs Three Lessons in Architecture for the Venice Biennale 1985. The project ...
Our relationship with machines has evolved, dislocating our connection to the natural world, by look...
How do machines, and, in particular, computational technologies, change the way we see the world? Th...