A critic of the art of technology, Paul Virilio has taught us that much media image is a strategy of war and that accident is becoming indistinguishable from attack. In these times of fierce conflict over which kind of capitalism is to take over the shrinking globe, and indeed which modernities we will live in during the twenty-first century, Paul Virilio is a significant contemporary theorist. But Virilio’s work, originally published in French and stretching back to the 1950s, has until now been very difficult to access in full in English translation, available as it is in expensive little books or obscure catalogues and journals. The Paul Virilio Reader collects together for the first time readable extracts of Virilio’s work from the enti...
Paul Virilio is an innovative figure in the study of architecture, space, and the city. Virilio for ...
This work focuses on the analysis of Paul Virilio, an important representative of the Contemporary F...
Don DeLillo’s Cosmopolis (2003) portrays, among other things, New York as a postmodern city. DeLillo...
In books such as The Aesthetics of Disappearance, War and Cinema, The Lost Dimension, and The Vision...
In books such as The Aesthetics of Disappearance, War and Cinema, The Lost Dimension, and The Vision...
This collection of 13 original writings, including a newly translated piece by Virilio himself, is t...
New media, defined by the internet and other postindustrial forms of telecommunication, is one of th...
International audienceThis short article introduces the special section, 'Paul Virilio and Media The...
This article explores the issues for contemporary critical practice raised by Paul Virilio's engagem...
The first dictionary dedicated to the pioneering work of French art and technology critic Paul Viril...
This research aims to explain the problem of main agents of visual recognition at the modern picture...
Don DeLillo’s White Noise depicts a world of rapid techno-scientific and economical changes. Paul Vi...
This thesis deals with the introduction of new technologies in the information society, which cause ...
In many of his texts French cultural critic, city planner and philosopher Paul Virilio emphasises th...
In a world radically altered by communications technologies and cybernetics, Paul Virilio observes a...
Paul Virilio is an innovative figure in the study of architecture, space, and the city. Virilio for ...
This work focuses on the analysis of Paul Virilio, an important representative of the Contemporary F...
Don DeLillo’s Cosmopolis (2003) portrays, among other things, New York as a postmodern city. DeLillo...
In books such as The Aesthetics of Disappearance, War and Cinema, The Lost Dimension, and The Vision...
In books such as The Aesthetics of Disappearance, War and Cinema, The Lost Dimension, and The Vision...
This collection of 13 original writings, including a newly translated piece by Virilio himself, is t...
New media, defined by the internet and other postindustrial forms of telecommunication, is one of th...
International audienceThis short article introduces the special section, 'Paul Virilio and Media The...
This article explores the issues for contemporary critical practice raised by Paul Virilio's engagem...
The first dictionary dedicated to the pioneering work of French art and technology critic Paul Viril...
This research aims to explain the problem of main agents of visual recognition at the modern picture...
Don DeLillo’s White Noise depicts a world of rapid techno-scientific and economical changes. Paul Vi...
This thesis deals with the introduction of new technologies in the information society, which cause ...
In many of his texts French cultural critic, city planner and philosopher Paul Virilio emphasises th...
In a world radically altered by communications technologies and cybernetics, Paul Virilio observes a...
Paul Virilio is an innovative figure in the study of architecture, space, and the city. Virilio for ...
This work focuses on the analysis of Paul Virilio, an important representative of the Contemporary F...
Don DeLillo’s Cosmopolis (2003) portrays, among other things, New York as a postmodern city. DeLillo...