John London’s edition of six essays attempts no comprehensive estimation of theatre under the Nazis as one might assume from the title, but rather provides six valuable windows through which one may glimpse sometimes startling illustrations of how political forces can easily overcome and subdue artistic expression, exploit idealism for totalitarian purposes, and give the sheen of political correctness to cultural perversion
The idea performing comedy, and performing a lot of comedy, during one the most systematic reigns of...
This article contributes to the study of Shakespeare’s appropriation inGermany during the twentieth ...
This thesis investigates the rise and fall of the propagandist theatre of Moral Re-Armament (MRA), w...
This thesis focuses on Shakespeare productions in Nazi Germany and Nazi occupied territories between...
The thesis investigates the Nazi and Anti-Nazism appropriation of Shakespeare, looking at stage and ...
The Weimar Republic occupies a period in German history that has long fascinated students of theatre...
Were the people who worked in the theatres of the Third Reich willing participants in the Nazi propa...
The fact that the Nazis tried to claim Shakespeare as a Germanic playwright has been well documented...
The critical reception of Heiner Müller’s 1990 Hamlet/Maschine at the Deutsches Theater in East Berl...
Hanns Johst’s play Schlageter is generally regarded as the most successful piece of Nazi theatre. F...
This thesis investigates the connection between the cultural authorities of the Third Reich and the ...
70 pagesThis thesis consists of three parts: this essay, a film called Trumancy based on Hans Richte...
The German theatre underwent a revolution of shattering magnitude in 1933 when the National Socialis...
Adolf Hitler and his National Socialist German Workers\u27 Party were obsessed with keeping the Germ...
In this essay, I review in great detail Ian Garden’s outstanding book, The Third Reich’s Celluloid W...
The idea performing comedy, and performing a lot of comedy, during one the most systematic reigns of...
This article contributes to the study of Shakespeare’s appropriation inGermany during the twentieth ...
This thesis investigates the rise and fall of the propagandist theatre of Moral Re-Armament (MRA), w...
This thesis focuses on Shakespeare productions in Nazi Germany and Nazi occupied territories between...
The thesis investigates the Nazi and Anti-Nazism appropriation of Shakespeare, looking at stage and ...
The Weimar Republic occupies a period in German history that has long fascinated students of theatre...
Were the people who worked in the theatres of the Third Reich willing participants in the Nazi propa...
The fact that the Nazis tried to claim Shakespeare as a Germanic playwright has been well documented...
The critical reception of Heiner Müller’s 1990 Hamlet/Maschine at the Deutsches Theater in East Berl...
Hanns Johst’s play Schlageter is generally regarded as the most successful piece of Nazi theatre. F...
This thesis investigates the connection between the cultural authorities of the Third Reich and the ...
70 pagesThis thesis consists of three parts: this essay, a film called Trumancy based on Hans Richte...
The German theatre underwent a revolution of shattering magnitude in 1933 when the National Socialis...
Adolf Hitler and his National Socialist German Workers\u27 Party were obsessed with keeping the Germ...
In this essay, I review in great detail Ian Garden’s outstanding book, The Third Reich’s Celluloid W...
The idea performing comedy, and performing a lot of comedy, during one the most systematic reigns of...
This article contributes to the study of Shakespeare’s appropriation inGermany during the twentieth ...
This thesis investigates the rise and fall of the propagandist theatre of Moral Re-Armament (MRA), w...