In my research on Native Americans artists there have been people I have been fascinated with yet knew little about. One of these was Angel De Cora (1869-1919), a Ho-Chunk (Winnebago) artist I would catch glimpses of in an exhibit at the Heard Museum or find in records on the 1904 Louisiana Purchase Exposition, her art the cornerstone of the Indian Service exhibit in the government building. Fortunately for me and for others interested in the lives of individuals who made a difference in the early twentieth century, as well as for scholars in American history, American Indian studies, and art, we now have a captivating and exhaustive biography of her life by ethnohistorian Linda Waggoner
Norman Feder (1930-1995), a pioneer in the field of Native American art history and material culture...
Native Faces is the catalogue to an exhibition of the same name presented at the Southwest Museum in...
Julia Ethel Toops Tuell was the wife of a schoolmaster on reservation schools where she taught home ...
In my research on Native Americans artists there have been people I have been fascinated with yet kn...
Review of: "Fire Light: The Life of Angel De Cora, Winnebago Artist," by Linda M. Waggoner
With the first book devoted exclusively to women\u27s painting, Patricia Janis Broder addresses a de...
The Philbrook Museum in Tulsa has long been recognized as one of the major forces in the shaping of ...
As the reality sets in that Native Americans have not become the vanishing race, their continuum of ...
The Tamarind Institute is a well-known and well-respected venue where contemporary artists collabora...
This publication-based on the award-winning reinterpretation and reinstallation in 2000 of the Plain...
Yellow Woman and a Beauty of the Spirit is a surprising pastiche of Leslie Marmon Silko\u27s non-fic...
The Minneapolis Institute of Art opened an exhibit in the fall of 1992 titled Visions of the People:...
Growing out of work for a major exhibition at the Canadian Museum of Civilization, where Morgan Bail...
One of the attractions of American Indian art is that it offers something of interest to practically...
This is a book for a wider audience than folklorists or anthropologists, though both will find subst...
Norman Feder (1930-1995), a pioneer in the field of Native American art history and material culture...
Native Faces is the catalogue to an exhibition of the same name presented at the Southwest Museum in...
Julia Ethel Toops Tuell was the wife of a schoolmaster on reservation schools where she taught home ...
In my research on Native Americans artists there have been people I have been fascinated with yet kn...
Review of: "Fire Light: The Life of Angel De Cora, Winnebago Artist," by Linda M. Waggoner
With the first book devoted exclusively to women\u27s painting, Patricia Janis Broder addresses a de...
The Philbrook Museum in Tulsa has long been recognized as one of the major forces in the shaping of ...
As the reality sets in that Native Americans have not become the vanishing race, their continuum of ...
The Tamarind Institute is a well-known and well-respected venue where contemporary artists collabora...
This publication-based on the award-winning reinterpretation and reinstallation in 2000 of the Plain...
Yellow Woman and a Beauty of the Spirit is a surprising pastiche of Leslie Marmon Silko\u27s non-fic...
The Minneapolis Institute of Art opened an exhibit in the fall of 1992 titled Visions of the People:...
Growing out of work for a major exhibition at the Canadian Museum of Civilization, where Morgan Bail...
One of the attractions of American Indian art is that it offers something of interest to practically...
This is a book for a wider audience than folklorists or anthropologists, though both will find subst...
Norman Feder (1930-1995), a pioneer in the field of Native American art history and material culture...
Native Faces is the catalogue to an exhibition of the same name presented at the Southwest Museum in...
Julia Ethel Toops Tuell was the wife of a schoolmaster on reservation schools where she taught home ...