Why is patria (“fatherland”) a feminine noun? How is it that virtus (“courage”), though etymologically linked with the masculine vir, is also a feminine noun? And more vexingly, what is it about a book (liber) that makes it masculine instead of, say, neuter? When first-year Latin students ask these sorts of questions, our immediate impulse is to reassure them that grammatical gender is just that—grammatical. Trying to divine some underlying sexual characteristic that makes courage feminine or a book masculine is not only futile but also counterproductive to early language learning. As I tell my own students: theirs not to wonder why, theirs but to memorize
Some prefer to read books by going directly to the crux, bypassing any Preface or Introduction. To d...
Invective Drag: Talking Dirty in Catullus, Cicero, Horace, and Ovid, studies the relationship betwee...
When we view the women of Rome, we see them closest to the roles of nature: daughter, wife and mothe...
Why is patria (“fatherland”) a feminine noun? How is it that virtus (“courage”), though etymological...
This is the published version, also available here: http://dx.doi.org/10.1353/apa.0.0007.From at lea...
The way in which the evolution of Latin gender has been presented most of the time makes an interest...
Ovid’s Metamorphoses offers a meandering sequence of mythological transformations with no formal sch...
The chief and subsidiary narrators (generally male) in Petronius and Apuleius’ fictions voice judgme...
The chief and subsidiary narrators (generally male) in Petronius and Apuleius’ fictions voice judgme...
Margaret Doyle. the A-Z of Non-Sexist Language, 1st edition 1995112 pp. ISBN 0 7043 4430 O. London: ...
Herbert Schendl (2001:9) defines ‘the study of ongoing changes in a language’ as one of the fundame...
This paper on Roman etymologizing and etymological word-play was orginally conceived in the 1990s as...
In this paper I am discussing some passages in Statius’ Achilleid, including the opening words of th...
Coriolanus is one of Shakespeare\u27s Roman plays, a sub-genre which also includes Titus Andronicus,...
Invective Drag: Talking Dirty in Catullus, Cicero, Horace, and Ovid, studies the relationship betwee...
Some prefer to read books by going directly to the crux, bypassing any Preface or Introduction. To d...
Invective Drag: Talking Dirty in Catullus, Cicero, Horace, and Ovid, studies the relationship betwee...
When we view the women of Rome, we see them closest to the roles of nature: daughter, wife and mothe...
Why is patria (“fatherland”) a feminine noun? How is it that virtus (“courage”), though etymological...
This is the published version, also available here: http://dx.doi.org/10.1353/apa.0.0007.From at lea...
The way in which the evolution of Latin gender has been presented most of the time makes an interest...
Ovid’s Metamorphoses offers a meandering sequence of mythological transformations with no formal sch...
The chief and subsidiary narrators (generally male) in Petronius and Apuleius’ fictions voice judgme...
The chief and subsidiary narrators (generally male) in Petronius and Apuleius’ fictions voice judgme...
Margaret Doyle. the A-Z of Non-Sexist Language, 1st edition 1995112 pp. ISBN 0 7043 4430 O. London: ...
Herbert Schendl (2001:9) defines ‘the study of ongoing changes in a language’ as one of the fundame...
This paper on Roman etymologizing and etymological word-play was orginally conceived in the 1990s as...
In this paper I am discussing some passages in Statius’ Achilleid, including the opening words of th...
Coriolanus is one of Shakespeare\u27s Roman plays, a sub-genre which also includes Titus Andronicus,...
Invective Drag: Talking Dirty in Catullus, Cicero, Horace, and Ovid, studies the relationship betwee...
Some prefer to read books by going directly to the crux, bypassing any Preface or Introduction. To d...
Invective Drag: Talking Dirty in Catullus, Cicero, Horace, and Ovid, studies the relationship betwee...
When we view the women of Rome, we see them closest to the roles of nature: daughter, wife and mothe...