In the late 1940s, the wealthy Tulsa oilman Thomas Gilcrease collected western art he believed best told the story of America. His unwavering determination led him to collect more than 100,000 objects, which became the founding collection of the Gilcrease Museum. This beautifully designed volume, which accompanied an exhibition at the Gilcrease in 2006, features the work from the museum\u27s collection by well-known and lesser-known artists who were lured west following Lewis and Clark\u27s epochal expedition, eager to portray the land and peoples of the exotic terra incognita that was now in America. While this story of exploration and discovery is not new, the strength-and appeal-of this volume is in author Gary Allen Hood\u27s fresh and ...
Since the valorization of abstraction beginning at midcentury, Western realist art has suffered from...
The National Cowboy and Western Heritage Museum in Oklahoma City is the subject of this inaugural vo...
In 1979 the Thomas Gilcrease Institute of American History and Art, in collaboration with the Univer...
In the late 1940s, the wealthy Tulsa oilman Thomas Gilcrease collected western art he believed best ...
Review of: "After Lewis & Clark: The Forces of Change, 1806–1871," by Gary Allen Hood
All who study the visual culture of the American West are familiar with the vast holdings of the Gil...
The traditional Lewis and Clark buff will find much enjoyment in Charles Fritz: 100 Paintings Illust...
In 1985, the final year of its travels, the Gund Collection of Western Art was exhibited at the C. M...
Historians all across the West have looked agog on the paroxysm of popular devotion that has erupted...
Alfred Jacob Miller (181O-1874) spent six months in the Rocky Mountain West in 1837, capturing a vis...
When it comes to science in general, and the geology of the Great Plains in particular, there is arg...
Along with Albert Bierstadt (1830-1902) and a few others, Thomas Moran (1837-1926) created some of t...
This handsome volume is a welcome addition to the growing literature detailing nineteenth- century o...
When acclaimed photo historian Beaumont Newhall published the fourth edition of The History of Photo...
American western art is experiencing an astonishing resurgence in quantity and popularity. The Los A...
Since the valorization of abstraction beginning at midcentury, Western realist art has suffered from...
The National Cowboy and Western Heritage Museum in Oklahoma City is the subject of this inaugural vo...
In 1979 the Thomas Gilcrease Institute of American History and Art, in collaboration with the Univer...
In the late 1940s, the wealthy Tulsa oilman Thomas Gilcrease collected western art he believed best ...
Review of: "After Lewis & Clark: The Forces of Change, 1806–1871," by Gary Allen Hood
All who study the visual culture of the American West are familiar with the vast holdings of the Gil...
The traditional Lewis and Clark buff will find much enjoyment in Charles Fritz: 100 Paintings Illust...
In 1985, the final year of its travels, the Gund Collection of Western Art was exhibited at the C. M...
Historians all across the West have looked agog on the paroxysm of popular devotion that has erupted...
Alfred Jacob Miller (181O-1874) spent six months in the Rocky Mountain West in 1837, capturing a vis...
When it comes to science in general, and the geology of the Great Plains in particular, there is arg...
Along with Albert Bierstadt (1830-1902) and a few others, Thomas Moran (1837-1926) created some of t...
This handsome volume is a welcome addition to the growing literature detailing nineteenth- century o...
When acclaimed photo historian Beaumont Newhall published the fourth edition of The History of Photo...
American western art is experiencing an astonishing resurgence in quantity and popularity. The Los A...
Since the valorization of abstraction beginning at midcentury, Western realist art has suffered from...
The National Cowboy and Western Heritage Museum in Oklahoma City is the subject of this inaugural vo...
In 1979 the Thomas Gilcrease Institute of American History and Art, in collaboration with the Univer...