In his User\u27s Manual, David Treuer reviews many of the works of contemporary Native American writers as well as Henry Rowe Schoolcraft and Asa Carter to demonstrate that there is no such thing as Native American Literature-at least, no such thing as Native American novels anyway. For Treuer, good literature is good literature and the standards that govern the great works of Western literature govern novels by Native writers. He sees the inclusion of myth, oral tradition, and ceremony as a longing for culture and not culture itself and believes that readers and writers have misconstrued artistic structure for authenticity. Certainly he has a point if one were to look at criticism of Native American literature from the 1970s and 1980s, b...
The red and black Chumash pictograph reproduced on the cover of Smoothing the Ground shows an alert ...
The red and black Chumash pictograph reproduced on the cover of Smoothing the Ground shows an alert ...
For the reader new to the field, perhaps attracted by an encounter with an individual poem or poet, ...
The relationship between Western scholarship and Indigenous storytelling, whether oral or written, h...
Through the lens of historical interpretation, Robert Dale Parker presents a controversial, deconstr...
Some of today\u27s best writing is by Native American authors. That fact is not as widely known as i...
Some of today\u27s best writing is by Native American authors. That fact is not as widely known as i...
James Ruppert discusses works by six Native American writers whom he believes mediate Indian and n...
Christopher Teuton\u27s study of four American Indian writers-No Scott Momaday (Kiowa), Gerald Vizen...
James Ruppert discusses works by six Native American writers whom he believes mediate Indian and n...
Through the lens of historical interpretation, Robert Dale Parker presents a controversial, deconstr...
Brill de Ramirez\u27s work addresses at least two crucial issues that scholars of Native American li...
Understanding Native American drama requires a critical perspective often lacking in theater and aca...
If, as James Cox argues, the origin of colonialism is imaginative, and narrative the force that s...
This volume collects work-in-progress of nine contemporary Native American authors, some already wid...
The red and black Chumash pictograph reproduced on the cover of Smoothing the Ground shows an alert ...
The red and black Chumash pictograph reproduced on the cover of Smoothing the Ground shows an alert ...
For the reader new to the field, perhaps attracted by an encounter with an individual poem or poet, ...
The relationship between Western scholarship and Indigenous storytelling, whether oral or written, h...
Through the lens of historical interpretation, Robert Dale Parker presents a controversial, deconstr...
Some of today\u27s best writing is by Native American authors. That fact is not as widely known as i...
Some of today\u27s best writing is by Native American authors. That fact is not as widely known as i...
James Ruppert discusses works by six Native American writers whom he believes mediate Indian and n...
Christopher Teuton\u27s study of four American Indian writers-No Scott Momaday (Kiowa), Gerald Vizen...
James Ruppert discusses works by six Native American writers whom he believes mediate Indian and n...
Through the lens of historical interpretation, Robert Dale Parker presents a controversial, deconstr...
Brill de Ramirez\u27s work addresses at least two crucial issues that scholars of Native American li...
Understanding Native American drama requires a critical perspective often lacking in theater and aca...
If, as James Cox argues, the origin of colonialism is imaginative, and narrative the force that s...
This volume collects work-in-progress of nine contemporary Native American authors, some already wid...
The red and black Chumash pictograph reproduced on the cover of Smoothing the Ground shows an alert ...
The red and black Chumash pictograph reproduced on the cover of Smoothing the Ground shows an alert ...
For the reader new to the field, perhaps attracted by an encounter with an individual poem or poet, ...