Add to ORKGThis handsomely designed exhibition catalogue presents an overview of appealing work by Buckeye Blake, an important contemporary artist of the American West. Published by the Buffalo Bill Historical Center in association with the University of Washington Press, the catalogue includes a preface by Center drector Peter H. Hassrick, introduction by Thomas McGuane, insightful essay by crator Sarah E. Boehme, and colored plates of 44 pieces by, or relating to, Blake
The appearance of this volume by E. Maurice Bloch, the dean of Bingham studies, is a most significan...
This catalogue, published on the occasion of the sixth biennial exhibition honoring the 2009 winners...
The Tamarind Institute is a well-known and well-respected venue where contemporary artists collabora...
This handsomely designed exhibition catalogue presents an overview of appealing work by Buckeye Blak...
American western art is experiencing an astonishing resurgence in quantity and popularity. The Los A...
Since the appearance of Francis S. Grubar\u27s William Ranney, Painter of the Early West, a catalogu...
Karl Bodmer\u27s field sketches executed along the upper Missouri between 1832 and 1834 constitute o...
Novels and histories of the American West have always attracted a large, varied audience. Some reade...
Beginning in the 1950s, Arizona collector James T. Bialac assembled an extensive and eclectic collec...
This catalogue, published in conjunction with a 2003 exhibition at the Art Institute, aims to demons...
The Art of William Blake (Anthony Blunt) (Reviewed by Geoffrey Keynes, Brinkley, Cambridgeshire, Eng...
As the reality sets in that Native Americans have not become the vanishing race, their continuum of ...
The most authoritative study of Swiss artist Karl Bodmer\u27s American prints to have been issued to...
All who study the visual culture of the American West are familiar with the vast holdings of the Gil...
This spectacular volume, with 260 works in color and 510 in black and white, records the Eugene and ...
The appearance of this volume by E. Maurice Bloch, the dean of Bingham studies, is a most significan...
This catalogue, published on the occasion of the sixth biennial exhibition honoring the 2009 winners...
The Tamarind Institute is a well-known and well-respected venue where contemporary artists collabora...
This handsomely designed exhibition catalogue presents an overview of appealing work by Buckeye Blak...
American western art is experiencing an astonishing resurgence in quantity and popularity. The Los A...
Since the appearance of Francis S. Grubar\u27s William Ranney, Painter of the Early West, a catalogu...
Karl Bodmer\u27s field sketches executed along the upper Missouri between 1832 and 1834 constitute o...
Novels and histories of the American West have always attracted a large, varied audience. Some reade...
Beginning in the 1950s, Arizona collector James T. Bialac assembled an extensive and eclectic collec...
This catalogue, published in conjunction with a 2003 exhibition at the Art Institute, aims to demons...
The Art of William Blake (Anthony Blunt) (Reviewed by Geoffrey Keynes, Brinkley, Cambridgeshire, Eng...
As the reality sets in that Native Americans have not become the vanishing race, their continuum of ...
The most authoritative study of Swiss artist Karl Bodmer\u27s American prints to have been issued to...
All who study the visual culture of the American West are familiar with the vast holdings of the Gil...
This spectacular volume, with 260 works in color and 510 in black and white, records the Eugene and ...
The appearance of this volume by E. Maurice Bloch, the dean of Bingham studies, is a most significan...
This catalogue, published on the occasion of the sixth biennial exhibition honoring the 2009 winners...
The Tamarind Institute is a well-known and well-respected venue where contemporary artists collabora...