This study starts from the premise that the young Flaubert had difficulty sustaining his narratives, that once underway, the opposing efforts of both narrator and character to promote their individual interests within the text led to an impasse, a kind of narrational death, which required a particular strategy (presumably on the part of the author) to circumvent the difficulty and keep things going. For Ginsburg this stammering (1) was a problem that Flaubert never quite outgrew. Consequently, she invites us to read his development as a novelist in terms of the different solutions the various works bring to the problem of continued narrative and, ultimately, to that of the representation of the self. Barthes\u27s notion of the interchange...