Spatial soundfield recording draws significant interests in noise cancellation, source localisation and entertainment applications. It is a complex and challenging problem in acoustic signal processing implementations, due to large numbers of microphones required and its extreme precision demand for equipment synchronisation and sensor positioning. This project presents an experimental design of a 2D soundfield recording system using multiple higher order microphones with its auxiliary systems that synchronise multiple recording channels and automatically localise microphones. This system was tested with both nearfield and farfield recordings of a soundfield constructed by loudspeakers in a reverberant room. The verification results show th...
When a sound source is spatialized over loudspeakers, the source undergoes a series of transformatio...
Natural sound field can be reproduced through loudspeakers using ambisonics and Higher Order Ambison...
WESTPRAC VII 2000: the 7th West Pacific Regional Acoustics Conference, October 3-5, 2000, Kumamoto, ...
Spatial soundfield recording is important for capturing immersive audio environments, providing real...
Recording and reproduction of spatial sound fields over a large area is an unresolved problem in aco...
Successful recording of large spatial soundfields is a prevailing challenge in acoustic signal proce...
Spatial audio processing is a key feature of the European funded FascinatE project. The FascinatE pr...
Conventional sound recording methods are based on recording the sound pressure level with a micropho...
It is desirable for people sharing a physical space to access different multimedia information strea...
Spatial audio has been studied for several decades, but has seen much renewed interest recently due ...
Globally, the ever increasing consumer interest in multichannel audio is a major factor driving the ...
Personalized sound environments are becoming increasingly important to the entertainment and audio i...
In order to capture and reproduce sound all around the listener in a perceptually realistic way, a r...
In this article, a systematic overview of various recording and reproduction techniques for spatial ...
Multichannel recordings are usually performed by means of microphone arrays. In many cases "sparse" ...
When a sound source is spatialized over loudspeakers, the source undergoes a series of transformatio...
Natural sound field can be reproduced through loudspeakers using ambisonics and Higher Order Ambison...
WESTPRAC VII 2000: the 7th West Pacific Regional Acoustics Conference, October 3-5, 2000, Kumamoto, ...
Spatial soundfield recording is important for capturing immersive audio environments, providing real...
Recording and reproduction of spatial sound fields over a large area is an unresolved problem in aco...
Successful recording of large spatial soundfields is a prevailing challenge in acoustic signal proce...
Spatial audio processing is a key feature of the European funded FascinatE project. The FascinatE pr...
Conventional sound recording methods are based on recording the sound pressure level with a micropho...
It is desirable for people sharing a physical space to access different multimedia information strea...
Spatial audio has been studied for several decades, but has seen much renewed interest recently due ...
Globally, the ever increasing consumer interest in multichannel audio is a major factor driving the ...
Personalized sound environments are becoming increasingly important to the entertainment and audio i...
In order to capture and reproduce sound all around the listener in a perceptually realistic way, a r...
In this article, a systematic overview of various recording and reproduction techniques for spatial ...
Multichannel recordings are usually performed by means of microphone arrays. In many cases "sparse" ...
When a sound source is spatialized over loudspeakers, the source undergoes a series of transformatio...
Natural sound field can be reproduced through loudspeakers using ambisonics and Higher Order Ambison...
WESTPRAC VII 2000: the 7th West Pacific Regional Acoustics Conference, October 3-5, 2000, Kumamoto, ...