This essay looks at subjectivity in Virginia Woolf’s The Waves employing a psychoanalytic approach and using the theories of Gilles Deleuze and Félix Guattari. Woolf’s relation to the theories of her contemporary Sigmund Freud was unclear. Psychoanalytic scholarship on Woolf’s writings, nevertheless, established itself in 1980’s as a dominant scholarly topic and has been growing since. However, the rigidity and medicalizing discourse of psychoanalysis make it poorly compatible with Woolf’s feminist, anti-individualist writing. This essay is a reading of The Waves, in which psychoanalytic theory is infused with a Deleuzo-Guattarian approach. The theories of psychoanalyst Jacques Lacan, and especially his concept of the Other, together with R...
This essay addresses Virginia Woolf’s exploration of the concept of the self through reference to a ...
The structure of Virginia Woolf 's late novel The Waves, which alternates between interludes of an u...
In A Room of One’s Own (1929), Virginia Woolf subversively urges that “we think back through our mot...
This essay looks at subjectivity in Virginia Woolf’s The Waves employing a psychoanalytic approach a...
The thesis intends to explore the aesthetic importance of The Waves. It argues that the feature of a...
In my thesis I shall elaborate on how the self is constructed in Modernism. Based on Virginia Woolf’...
The article focuses on Virginia Woolf’s novel, The Waves, a sui generis work, in which the writer ex...
I will particularly examine the work of Virginia Woolf, the 20th century novelist and critic, princi...
This paper examines the particular concept of ethology developed by Deleuze and Guattari through a r...
Performing a rereading of Virginia Woolf’s 1931 experimental modernist masterpiece of The Waves, in ...
This thesis offers a philosophical and affective history of the subject-object encounter in Virginia...
My thesis recognizes Virginia Woolf's writing to be composed of a mosaic of multiple art forms such ...
Beyond genre- or rather inside and against genre- Woolf’s essays, short stories, novels, and diary-w...
By 1920, according to the poet Bryher, ‘all literary London’ had ‘discovered Freud’ – but not all of...
Much of Virginia Woolf\u27s writing was motivated by her lifelong quest to depict the elusive proces...
This essay addresses Virginia Woolf’s exploration of the concept of the self through reference to a ...
The structure of Virginia Woolf 's late novel The Waves, which alternates between interludes of an u...
In A Room of One’s Own (1929), Virginia Woolf subversively urges that “we think back through our mot...
This essay looks at subjectivity in Virginia Woolf’s The Waves employing a psychoanalytic approach a...
The thesis intends to explore the aesthetic importance of The Waves. It argues that the feature of a...
In my thesis I shall elaborate on how the self is constructed in Modernism. Based on Virginia Woolf’...
The article focuses on Virginia Woolf’s novel, The Waves, a sui generis work, in which the writer ex...
I will particularly examine the work of Virginia Woolf, the 20th century novelist and critic, princi...
This paper examines the particular concept of ethology developed by Deleuze and Guattari through a r...
Performing a rereading of Virginia Woolf’s 1931 experimental modernist masterpiece of The Waves, in ...
This thesis offers a philosophical and affective history of the subject-object encounter in Virginia...
My thesis recognizes Virginia Woolf's writing to be composed of a mosaic of multiple art forms such ...
Beyond genre- or rather inside and against genre- Woolf’s essays, short stories, novels, and diary-w...
By 1920, according to the poet Bryher, ‘all literary London’ had ‘discovered Freud’ – but not all of...
Much of Virginia Woolf\u27s writing was motivated by her lifelong quest to depict the elusive proces...
This essay addresses Virginia Woolf’s exploration of the concept of the self through reference to a ...
The structure of Virginia Woolf 's late novel The Waves, which alternates between interludes of an u...
In A Room of One’s Own (1929), Virginia Woolf subversively urges that “we think back through our mot...