This article is the ideal sequel to a previous one (\u2018Ritratti\u2019 veneziani per Jacometto, Marco Basaiti e Andrea Previtali, in \u2018Prospettiva\u2019, 147-148, 2012 [2014], pp. 150-158), and here too the aim is to discuss and reattribute a series of portraits produced in Venice between the late 15th and early 16th century. The artists involved in the discussion include Antonello da Messina, Jacometto Veneziano and Andrea Previtali. A small section of the essay is devoted to works that show the possible activity of Jacometto Veneziano as an illuminator
Until now, the drawings of the Marchigian artist Giovan Battista Lombardelli, active in the Marches,...
Until now, the drawings of the Marchigian artist Giovan Battista Lombardelli, active in the Marches,...
This bibliography concentrates primarily on Venetian art and artists of the 15th and 16th centuries....
This short article aims to re-attribute three portraits to artists that were active in Venice betwee...
The article focuses primarily on the panel representing 'Luca Pacioli and Guidubaldo da Montefeltro'...
The article focuses primarily on the panel representing 'Luca Pacioli and Guidubaldo da Montefeltro'...
The article focuses primarily on the panel representing 'Luca Pacioli and Guidubaldo da Montefeltro'...
This dissertation presents the first full length study of Antonello da Messina's portraits. While A...
Among the Renaissance masters, Paolo Veronese (1528-1588) was one of the most admired in Eighteenth ...
This paper aims to cast new light on Anton Domenico Gabbiani’s first sojourn in Venice, which took p...
Between 1807 and 1856, the Royal Academy of Art in Venice played a particularly active role in the c...
Dato alle stampe nei mesi a cavallo fra il 1762 e il 1763 da Alessandro Longhi, il Compendio delle v...
Dato alle stampe nei mesi a cavallo fra il 1762 e il 1763 da Alessandro Longhi, il Compendio delle v...
The study is devoted to the painter Zanino di Pietro, who was mainly active in Venice between the 14...
The study is devoted to the painter Zanino di Pietro, who was mainly active in Venice between the 14...
Until now, the drawings of the Marchigian artist Giovan Battista Lombardelli, active in the Marches,...
Until now, the drawings of the Marchigian artist Giovan Battista Lombardelli, active in the Marches,...
This bibliography concentrates primarily on Venetian art and artists of the 15th and 16th centuries....
This short article aims to re-attribute three portraits to artists that were active in Venice betwee...
The article focuses primarily on the panel representing 'Luca Pacioli and Guidubaldo da Montefeltro'...
The article focuses primarily on the panel representing 'Luca Pacioli and Guidubaldo da Montefeltro'...
The article focuses primarily on the panel representing 'Luca Pacioli and Guidubaldo da Montefeltro'...
This dissertation presents the first full length study of Antonello da Messina's portraits. While A...
Among the Renaissance masters, Paolo Veronese (1528-1588) was one of the most admired in Eighteenth ...
This paper aims to cast new light on Anton Domenico Gabbiani’s first sojourn in Venice, which took p...
Between 1807 and 1856, the Royal Academy of Art in Venice played a particularly active role in the c...
Dato alle stampe nei mesi a cavallo fra il 1762 e il 1763 da Alessandro Longhi, il Compendio delle v...
Dato alle stampe nei mesi a cavallo fra il 1762 e il 1763 da Alessandro Longhi, il Compendio delle v...
The study is devoted to the painter Zanino di Pietro, who was mainly active in Venice between the 14...
The study is devoted to the painter Zanino di Pietro, who was mainly active in Venice between the 14...
Until now, the drawings of the Marchigian artist Giovan Battista Lombardelli, active in the Marches,...
Until now, the drawings of the Marchigian artist Giovan Battista Lombardelli, active in the Marches,...
This bibliography concentrates primarily on Venetian art and artists of the 15th and 16th centuries....